The Campaigns Of Alexander Summary


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The Campaigns of Alexander


The Campaigns of Alexander

Author: Arrian

language: en

Publisher: Penguin UK

Release Date: 1971


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Although written over four hundred years after Alexander's death, Arrian's 'Campaigns of Alexander' is our best source of knowledge of the man and his deeds. Arrain had himself been a military commander, and his record of the exploits of the world's greatest conqueror reveals sympathy for his subject, without the adulation or contempt which so often mar other histories of the time. Arrain's unaffected style of writing, with its matter-of-fact tone, offsets the remarkable career and paradoxical nature of Alexander, giving us a fair, clear report about a man who was worshipped as a god in his own lifetime.

The Landmark Arrian


The Landmark Arrian

Author: Arrian

language: en

Publisher: Pantheon

Release Date: 2010


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A latest entry in the series that includes The Landmark Herodotus is a lavishly illustrated and extensively annotated edition of Arrian's portrait of Alexander the Great featuring an accessible translation that incorporates the views of leading classics scholars.

Alexander the Great in Arrian’s ›Anabasis‹


Alexander the Great in Arrian’s ›Anabasis‹

Author: Vasileios Liotsakis

language: en

Publisher: Walter de Gruyter GmbH & Co KG

Release Date: 2019-05-06


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Arrian’s Alexandrou Anabasis constitutes the most reliable account at our disposal about Alexander the Great's campaign in Asia. However, whereas the work has been thoroughly studied as a historical source, its literary qualities have been relatively neglected, with no autonomous monograph existing on this matter. Vasileios Liotsakis fills this gap in the studies of Alexander the Great’s literary tradition, by offering the first monograph on Arrian’s compositional strategies. Liotsakis focuses on the narrative techniques and verbal choices, through which Arrian allows praise and criticism to intermingle in his portrait of the Macedonian king. His main point of argument is that Arrian systematically exploits an abundance of narrative means (military descriptions, presentation of peoples, march-narratives, anachronies, and epic elements) in order to draw the reader’s attention not only to Alexander’s intellectual skills but also to the fact that the king was gradually corrupted by his success. This book puts Arrian’s literary contrivances under the microscope, sheds new light on unexplored aspects of the Anabasis’ narrative arrangement, and contributes to the studies of Alexander’s prosopography in Classical historiography.