Spring And All Summary

Spring and All

Heavily influenced by T. S. Eliot's "The Waste Land," the poems of Spring and All express the author's beliefs about the role and form of art in a modern context. William Carlos Williams offers an intensely stylized set of exercises in reduction that capture, in his words, "the immediacy of experiences." Sections of vivid, sensuous prose — described by the poet as "a mixture of philosophy and nonsense"—alternate with straightforward free verse that explores the creative uses of imagination and the power of language. "Spring and All," the title work of this 1923 collection, represents Williams's first major achievement as a poet, and was praised by The New York Times as one of the greatest poems of the twentieth century. This groundbreaking compilation also features some of the poet's best-known verse, including the modernist masterpieces: "The Red Wheelbarrow" and "To Elsie."

A book of poems

Hab?a sido un arbusto desmedrado que prolonga sus filamentos hasta encontrar el humus necesario en una tierra neuva. Y c?mo me nutr?a! Me nutr?a con la beatitud con que las hojas tr?mulas de clor?fila se extienden al sol; con la beatitud con que una ra?z encuentra un cad?ver en descompositi?n; con la beatitud con que los convalecientes dan sus pasos vacilantes en las ma?anas de primavera, ba?adas de luz... RAFAEL AR?VALO MART?NEZ

Geohydrology and Water Quality at Shanghai Spring and Solid-waste Management Units at the Fort Leonard Wood Military Reservation, Missouri, 1995-98