Si Pamutung
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Violence and Serenity
Author: Natasha Reichle
language: en
Publisher: University of Hawaii Press
Release Date: 2007-07-26
The mention of Buddhism in Indonesia calls to mind for many people the Central Javanese monument of Borobudur, one of the largest Buddhist monuments in the world and the subject of extensive scholarly scrutiny. The neglect of scholarship on Buddhist art from later periods might lead one to assume that after the tenth century Buddhism had been completely eclipsed by the predominantly Hindu Eastern Javanese dynasties. Yet, as the works discussed here illustrate, extraordinary Buddhist images were still being produced as late as the fourteenth century. Violence and Serenity offers a close examination of some of the impressive works from East Java and Sumatra and explores their political and religious roles. The number of clearly identifiable Buddhist works from the Singasari and Majapahit dynasties (1222–ca. 1520) is limited, yet existing examples are impressive. They demonstrate a remarkable level of craftsmanship and are exceptionally expressive, exhibiting a range of emotions from the ferocious to the serene. Following a brief discussion of the early history of Buddhism in Indonesia, Natasha Reichle focuses each chapter on a specific statue or group of statues and considers the larger issues evoked by the images. Through a rarely examined depiction of the last Singasari king, she explores the nature of religion in Java in the late thirteenth century and what we know about tantric practices and the syncretism of Hinduism and Buddhism. She reassesses the question of portraiture in ancient Javanese art while contemplating the famous Prajñāpāramitā from Singasari. Notions of kingship are discussed in light of a number of statues depicting the Buddhist deity Amoghapāśa and his attendants and the meanings of the Amoghapāśa maṇḍala. The final chapter examines the origins and significance of one of Indonesia’s most spectacular sculptures, a four-meter-high Buddhist bhairava (demon) discovered in West Sumatra.
Hindu-Buddhist Architecture in Southeast Asia
Hinduism and Buddhism have in Southeast Asia prompted impressive architecture, including Angkor Vat and the Borubodur, with a lasting influence on the architecture of the area. This book is the first stylistic history of Hindu-Buddhist architecture in the area from the beginning until today. The contrasts and similarities described between the religious structures of the different countries shed light on the religious history of the area.
History of Padang Lawas 2
Author: Cahier d’Archipel 43
language: en
Publisher: Kepustakaan Populer Gramedia
Release Date: 2015-02-05
For the last century and a half, the name of Padang Lawas, in the present province of North Sumatra, Indonesia, has been associated with a number of isolated Hindu-Buddhist remains located in the interior of the island. These remains are all the more remarkable because they form the largest Indianised archaeological complex known so far in the northern half of Sumatra, This book follows the recently published volume on archaeological researches conducted at the Si Pamutung site from 2006 until 2010. Its two main purposes are ?rstly to present and reappraise all the available sources for the ancient history of the region and, secondly, to provide an initial synthesis of the history of Padang Lawas between the mid-ninth and the end of the thirteenth century CE. As no comprehensive inventory of sculptures and other artefacts reported since the mid nineteenth century had been published, the ?rst chapter attempts to ?ll this gap by providing descriptions of Z64 items. lt is followed by four systematic studies on dozens of these items, whether stone or bronze artefacts, Furthermore, the thirteen ancient inscriptions from Padang Lawas are systematically reinvestigated or are deciphered for the ?rst time. To this epigraphic study is associated a historical study on the indigenous writing system. Two chapters present on the one hand the main results of recent archaeological research conducted in two other sites of the Barumun River Basin and, on the other a panorama of archaeological data on the Mandailing-Natal region situated west of Padang Lawas, in order to get a comprehensive and updated overview of the knowledge currently available of the area between both coasts of this part of Sumatra. In addition, the epigraphic study on Padang Lawas is supplemented with a reappraisal of inscriptions from Mt Sorik Merapi in this Mandailing-Natal region, and inscriptions from the site of Muara Takus on the banks of the upper reaches of the Kampar River.