Romanin Simdiki Zamani

The Stolen Bride

Sean O’Neil was once everything to Eleanor de Warenne—but since he disappeared from his ancestral home, there has been no word, and even Eleanor has abandoned hope, promising her hand to another. Then, just days before her wedding, Sean reappears…but the boy who was once her protector is now a stranger, hardened by prison and on the run. Weary and haunted, Sean is shocked to find that little Elle has become the beautiful, desirable Eleanor. Though he refuses to endanger her by pressing his claim, his resolve to stay away is sorely tested by the determination of a woman who will not be forsaken again. And when, in a moment’s passion, Sean steals another man’s bride, it is Eleanor who has the power to steal his heart….

The Ottoman Domination

The Turkish Language Reform

This is the first full account of the transformation of Ottoman Turkish into Modern Turkish. It is based on the author's knowledge and experience of the language, history, and people of Turkey. The transformation of the Turkish language is probably the most thorough-going piece of linguistic engineering in history. Its prelude came in 1928, when the Arabo-Persian alphabet was outlawed and replaced by the Latin alphabet. It began in earnest in 1930 when Ataturk declared: 'Turkish is oneof the richest of languages. It needs only to be used with discrimination. The Turkish nation, which is well able to protect its territory and its sublime independence, must also liberate its language from the yoke of foreign languages.' All Arabic and Persian vocabulary was replaced forthwith by words collected from popular speech, resurrected from ancient texts, or coined from native roots and suffixes. The snag - identified by the author as one element in the catastrophic aspect of the reform - was that when these sources failed to provide the needed words, the reformers simply invented them. The reform was central to the young republic's aspiration to be western and secular, but it did not please those who remained wedded to their mother tongue or to the Islamic past. The controversy is by no means over, but Ottoman Turkish is dead. Geoffrey Lewis both acquaints the general reader with the often bizarre, sometimes tragi-comic, but never dull story of the reform, and provides a stimulating and incisive account for students of Turkish language, history, and culture. The author draws on his own wide experience of Turkey and his personal knowledge of many of the leading actors. He has left no word, phrase, or sentence of Turkish untranslated, other than the names of books and articles.