Robert Frost And Edward Thomas
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Elected Friends
Robert Frost and Edward Thomas met in a bookshop in London in 1913. During the next four years, the two writers—Frost, an unknown poet who had sold his farm in New Hampshire in order to take his family to England for one last gamble on poetry and Thomas, a sad literary journalist—formed the most important friendship between poets since that of Wordsworth and Coleridge. Their friendship only ended with Thomas' death in Arras, France, a casualty of the First World War. The story of Edward Thomas' turn to poetry, in fact, has been dominated by the account of Robert Frost's injunction: to break his existing prose into lines, bringing his musical cadence and his direct speaking voice into conversation with formal prosody. Thomas himself had already championed Frost's own early work: These poems are revolutionary because they lack the exaggeration of rhetoric.... Their language is free from the poetical words and forms that are the chief material of the secondary poets. The metre avoids not only old fashioned pomp and sweetness, but the later fashion also of discord and fuss. In fact the medium is common speech.... Mr. Frost has, in fact, gone back, as Whitman and as Wordsworth went back, through the paraphernalia of poetry into poetry once again. This book presents for the first time the full record, arranged chronologically, of what the poets wrote to, for, and about one another—their letters, poems, and Thomas' review of Frost's first two books. They reveal a warmth and charm that give us the key to the relationship between Frost and Thomas.
Selected Poems and Prose
'I have come to the borders of sleep, The unfathomable deep Forest where all must lose Their way, however straight, Or winding, soon or late; They cannot choose.' Fired by his abiding love of the English landscape, the poetry of Edward Thomas is some of the most astonishing of the twentieth century. A journalist, essayist and critic for many years, he was encouraged to write verse by his friend Robert Frost. He produced a late outburst of poetry of extraordinary beauty and mystery about the subjects closest to his heart: rural England and its inhabitants, landscape, atmosphere, transience, endurance and death. By 1917, when he was killed on the Western Front, he had earned his place as one of England's most valued poets. This selection brings together his finest verse with his most vivid prose writings on the countryside.
Edward Thomas [and] Robert Frost
Contains poems, without any commentary, enabling them to be used either as student reference material or as 'clean' copies for the examination.