Renaissance Papers 2023
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Renaissance Papers 2020
Collection of the best scholarly essays from the 2020 Southeastern Renaissance Conference plus essays submitted directly to the journal. Topics run from the epic to influence studies to the perennial problem of love and beyond. Renaissance Papers 2020 features essays from the conference held virtually at Mercer University, as well as essays submitted directly to the journal. The volume opens with an essay that discusses the "ultimate story," the epic, and argues, pointing to the Henriad and The Faerie Queen, that some of the most ambitious remain unfinished; an essay on "just war" and Henry V follows, suggesting why such epic inconclusion may not be such a bad thing. A trio of influence studies investigate post-Marian virginity, Miltonic environmentalism, and cross-dressing knights. Three essays then interrogate the perennial problem of love: in popular ballads, in Hero and Leander, and in The Rape of Lucrece. An essay argues counterintuitively for Amelia Lanyer and Margaret Cavendish as exemplars of the Cavalier Ideal of the Bonum Vitae; it is followed by an equally provocative reconsideration of the role of Claudio D'Arezzo's rhetorical works for Sicilian national identity. The last essay analyzes the formal signatures of three sixteenth-century queens and how they sought to represent themselves on the public stage.
Paper and Light
This volume looks at the techniques and materials that artists have utilized since the Renaissance to create spectacular light effects in drawings. The treatment of light and shadow is one of the building blocks of drawing. From techniques such as highlights and reserves, to material selection and the creation of translucent tracing paper, to the use of light as a medium for viewing artworks, artists for hundreds of years have found innovative and dazzling ways to create light on a sheet of paper. This publication examines the central relationship between paper and light in the world of drawings in western European art from the Renaissance to the twentieth century. Focusing on drawings from the collection of the J. Paul Getty Museum, as well as works from the British Museum, Musée du Louvre, and others, and featuring masterful works by such artists as Parmigianino, Leonardo da Vinci, Nicolas Poussin, Odilon Redon, Edgar Degas, and Georges Seurat, Paper and Light will entice readers to look longer and more closely at drawings, deriving an even deeper appreciation for the skill and labor that went into them.
Paper and the Making of Early Modern Literature
Author: Georgina Wilson
language: en
Publisher: University of Pennsylvania Press
Release Date: 2025-09-30
Paper and the Making of Early Modern Literature explores the crucial role of paper in the early history of books and of English literature. Taking up four paradigms of literary scholarship—authorship, composition, form, and reuse—Georgina Wilson shows how the material affordances of paper shaped the work of readers, writers, and critics of the seventeenth and eighteenth centuries. Looking past the surface of printed texts to less legible forms of labor, Wilson models literary critical readings of paper’s physical aspects, from watermarks to rotatable paper dials, in Ben Jonson’s Sejanus His Fall and George Wither’s emblems, sheets, and fragments. Turning from paper's specific physical attributes to authors who were preoccupied with its imaginative potential, Wilson explores how paper’s tangible qualities intervened in what readers and writers did with it, tracing formalist, legal, and political debates on the textual and nontextual uses of paper through the works of John Taylor and eighteenth-century “it-narratives.” Drawing upon examples from early modern drama, poetry, and prose to consider the real and imagined women and men who made and used paper, Wilson demonstrates how early modern paper was both the product of embodied labor and of the early modern imagination. Bringing together close reading, critical bibliography, archival research, and literary theory, Paper and the Making of Early Modern Literature shows how paper makes literature not only as a physical object but also as a discipline.