Remarkable Occurrences

Historical and Scientific Questions Adapted to Crossley's Comprehensive Class Book

The Upper Country

The Upper Country melds myth and conventional history to provide a memorable tale of French designs in the middle of what became the United States. Putting the reader on the battlefields, at the trading posts, and on the rivers with voyageurs and their allies from the Indian nations, Claiborne Skinner reveals the saintly missionaries and jolly fur traders of popular myth as agents of a hard-nosed, often ruthless, imperial endeavor. Skinner’s engaging narrative takes the reader through daily life at posts like Forts Saint Louis and Michilimakinac, illuminates the complexities of interracial marriage with the courtship of Michel Aco at Peoria, and explains how France's New World adventurism played a role in the outbreak of the Seven Years War and the beginning of the modern era. In this story, many of the traditional heroes and villains of American history take on surprising roles. The last Stuart kings of England seem shrewd and even human; George Washington makes his debut appearance on the stage of history by assassinating a French officer and plunging Europe into the first truly global war. From unthinkable hardship to dreams of fur trade profits, this fascinating exploration sheds new light on France and its imperial venture into the Great Lakes.

The Novel and the Sea

For a century, the history of the novel has been written in terms of nations and territories: the English novel, the French novel, the American novel. But what if novels were viewed in terms of the seas that unite these different lands? Examining works across two centuries, The Novel and the Sea recounts the novel's rise, told from the perspective of the ship's deck and the allure of the oceans in the modern cultural imagination. Margaret Cohen moors the novel to overseas exploration and work at sea, framing its emergence as a transatlantic history, steeped in the adventures and risks of the maritime frontier. Cohen explores how Robinson Crusoe competed with the best-selling nautical literature of the time by dramatizing remarkable conditions, from the wonders of unknown lands to storms, shipwrecks, and pirates. She considers James Fenimore Cooper's refashioning of the adventure novel in postcolonial America, and a change in literary poetics toward new frontiers and to the maritime labor and technology of the nineteenth century. Cohen shows how Jules Verne reworked adventures at sea into science fiction; how Melville, Hugo, and Conrad navigated the foggy waters of language and thought; and how detective and spy fiction built on sea fiction's problem-solving devices. She also discusses the transformation of the ocean from a theater of skilled work to an environment of pristine nature and the sublime. A significant literary history, The Novel and the Sea challenges readers to rethink their land-locked assumptions about the novel.