Rajinikanth Annaththa Full Movie In Tamil Latest
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Rajinikanth
Rajinikanth is, quite simply, the biggest superstar cinema-crazy India has ever seen. His stylized dialogues and screen mannerisms are legion, and his guy-next-door-cum-superhero image has found a hysterically appreciative following among millions of moviegoers. Naman Ramachandran’s marvellous biography recounts Rajini’s career in meticulous detail, tracing his incredible cinematic journey from Apoorva Raagangal (1975) to Kochadaiyaan (2013). Along the way, the book provides rare insights into the Thalaivar’s personal life, from his childhood days to his times of struggle—when he was still Shivaji Rao Gaekwad—and then his eventual stardom: revealing how a legend was born.
House Full
Author: Lakshmi Srinivas
language: en
Publisher: University of Chicago Press
Release Date: 2016-08-31
Film studies have traditionally focused on texts, meanings, techniques, and appreciation/criticism. Now, we have in House Full an ethnography of movie-going and movie-goers, in India of all places (Bangalore), where the focus has been shifted away from the movie-as-product to the study of patterns of social behavior in production, marketing, and consumption of film. India is a place of surprises, and that goes for movie theatres and film patronage: House Full presents a raucous, multi-ethnic, multi-class tableau. You would guess the audience is Srinivas s focus, and that is accurate, because in India they have a role in choosing, buying tickets for, and sitting through and reacting to movies (participating loudly and interactively) that differs from what North Americans are used to. Srinivas s interviews with audience members (across ethnic and class lines), distributors, movie theater managers, and also the actors, directors, writers, and other production crew make for fascinating comparisons to what we in the west are used to. The interactional character of her study places it firmly in the tradition of the Chicago School of sociology. Lest we forget, meanwhile, India is the largest producer of feature films worldwide, with the largest market in terms of films produced and audiences reached (selling 4 billion tickets annually)."
RAJINIKANTH
Superstar Rajinikanth defies all conventional analyses-no one has reigned supreme for as long as he has in the world of Indian cinema. With over 150 films under his belt, many of them blockbusters, he still plays the hero at seventy, and the devotion of his legions of fans has not waned during the forty-odd years of his stardom. In a state that saw the Dravidian self-respect movement propagate atheism, fans worship his cut-outs and bathe them with milk and beer, as if he were their god. In a society famous for its pride in its language, it is curious that a Kannadiga whose family hails from Maharashtra, an outsider, should emerge as a 'thalaivar', or leader. With the death of the charismatic J. Jayalalithaa, a former actor, and M. Karunanidhi, who was a scriptwriter for films-leaders of the AIADMK and DMK respectively (the two main Dravidian political parties that have been ruling Tamil Nadu for more than sixty years)-Rajinikanth's fans believed there was a political vacuum that only he could fill. While the actor has been dabbling in politics, by making pronouncements on certain issues, including Jayalalithaa's policies, the Cauvery water sharing problem between Tamil Nadu and Karnataka, bomb attacks in the state and so on, it was only in 2017 that he promised to form his own party and contest all 234 seats in the 2021 assembly elections. For decades, his fans had been awaiting this moment, believing that he could solve all their problems and give them a life free from strife and governance free of corruption. His fan clubs went into high gear to turn themselves into the foundation of their thalaivar's political party, attracting more members and working on the ground all over the state. For three years, every utterance of Rajinikanth's was analysed and debated even more vociferously than anything he has said in the past. Political opponents questioned his experience and pointed out that (even after forty years) he was an outsider who did not understand the undercurrents of Tamil Nadu politics; his detractors criticized the lack of a clear ideology behind his promise of 'spiritual politics'; political analysts who saw that Rajini was close to the BJP anticipated that he might enter into an alliance with them, allowing the right-wing party a foothold in the state. Ultimately, however, the seventy-year-old superstar withdrew from the political arena citing health concerns. The fans were hugely disappointed but understanding. With their continuing support and excitement for the next Rajini-starrer, he remains a giant in the field of entertainment. Rajinikanth: A Life is the best account yet of the man who was born Shivaji Rao Gaekwad-once a coolie and a bus conductor in Bangalore and now virtually a god in Tamil Nadu.