Police Python
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Hidden Animals
Author: Michael Newton
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2009-09-10
A global survey of unknown creatures reported by thousands of eyewitnesses—creatures that have either been verified, refuted, or are still being examined by scientific researchers. Hidden Animals: A Field Guide to Batsquatch, Chupacabra, and Other Elusive Creatures welcomes readers into the fascinating world of cryptozoology—the scientific pursuit of legendary creatures that sometimes reveals hoaxes and sometimes identifies real, previously unknown species. Compiled by Michael Newton, author of the acclaimed Encyclopedia of Cryptozoology, it is the first comprehensive guide covering the crossroads of zoology and folklore written for both the young and the young at heart. Organized by type of creature type, such as giant animals, missing links, and living fossils, Hidden Animals surveys various beings reported and pursued worldwide from ancient times to the present, in every corner of the globe. In the process, it relates classic myths and legends to identified flesh-and-blood animals. Readers will be captivated by both the scientific evidence supporting the existence of specific cryptids and the exposure of notorious frauds or cases of mistaken identity.
Monty Python's Flying Circus
Author: Darl Larsen
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2008-06-13
In 1969, the BBC aired the first episode of a new comedy series titled Monty Python's Flying Circus, and the rest, as they say, is history. An instant success, the show ran until 1974, producing a total of 45 episodes. Despite the show's very English humor and allusions to many things British, the series developed a cult following outside the U.K., particularly in the United States. Known for its outrageous humor, occasionally controversial content, and often silly spirit, Monty Python's Flying Circus poked fun at nearly all institutions—domestic or foreign, grand or intimate, sacred or not. Indeed, many of the allusions and references in the program were uniquely British and routinely obscure, and therefore, not always understood or even noticed outside the British Isles. This exhaustive reference identifies and explains the plethora of cultural, historical, and topical allusions of this landmark series. In this resource, virtually every allusion and reference that appeared in an episode—whether stated by a character, depicted in the mise-en-scene, or mentioned in the printed scripts—is identified and explained. Organized chronologically by episode, each entry is listed alphabetically, indicates what sketch it appeared in, and is cross-referenced between episodes. Entries cover literary and metaphoric allusions, symbolisms, names, peoples, and places; as well as the myriad social, cultural, and historical elements (photos, songs, slogans, caricatures) that populate and inform these episodes. Entries Include: ·"Arabella Plunkett" ·Group of famous characters from famous paintings ·Hell's Grannies ·HRH The Dummy Princess Margaret ·"Kandinsky" ·"On the Dad's Liver Bachelors at Large" ·Raymond Baxter type ·Scun ·"Spanish Inquisition" ·"Third Parachute Brigade Amateur Dramatic Society" ·"total cashectomy" ·"Two-Sheds" ·"Umbonga's hostile opening" ·Vicar sitting thin and unhappy in a pot ·"What's all this then?"
International Noir
Author: Pettey Homer B. Pettey
language: en
Publisher: Edinburgh University Press
Release Date: 2014-11-11
Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India. This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir. Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing.