Poems Of Ghalib A Selection Large Print Large Format Edition
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Poems of Ghalib a Selection: (large Print & Large Format Edition)
POEMS OF GHALIB A Selection (Large Print & Large Format Edition) Translation & Introduction Paul Smith. Mirza Ghalib (1797-1869} was born in the city of Agra of parents with Turkish aristocratic ancestry. He later lived on state patronage, credit or the generosity of friends. His fame came to him posthumously. He had remarked during his life that although his age had ignored his greatness he would be recognized by later generations. History vindicated his claim. Although he wrote many more ghazals, qit'as and ruba'is in Persian he is more famous for those written in Urdu. Before Ghalib, the Urdu ghazal was primarily an expression of anguished love but Ghalib expressed his philosophy and cynicism. In keeping with the conventions of the ghazal, in most of Ghalib's couplets the 'beloved' could be a beautiful woman, boy, monarch or God or the Spiritual Master as in his many Sufi poems. Here is the largest selection of his Persian & Urdu ghazals, ruba'is, qit'as and other poems in the correct form and meaning in English ever published. Introduction: Poetry, Life & Times and on the Forms of Poetry he used. Selected Bibliography. Large Print 16pt., Large Format, 8" x 10" 367 pages. Paul Smith (b.1945) is a poet, author and translator of many books of Sufi poets from the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafez, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Lalla Ded, Rahman Baba, Baba Latif, Iqbal, Seemab, Huma, Nazir and others, and his own poetry, fiction, plays, biographies and 12 screenplays. amazon.com/author/smithpa
The Nazm in Urdu Poetry
THE NAZM IN URDU POETRY An Anthology Translation & Introduction Paul Smith The nazm is a major part of Urdu rhyming poetry. From Qutub Shah to Sauda, Mir, Nazir Akbarabadi (the so-called 'father' of this form), Zafar, Ghalib, Zauq, Inayat Khan and then to the great Iqbal... they cover ordinary life, spiritual and philosophical thinking, national issues and the precarious predicament of individual human beings. The nazm can be any of various forms of Urdu poetry including the musaddes, qasida, masnavi, mukhammas, tarji-band, tarikh-band. CONTENTS: The Urdu Language, Urdu Poetry, The Nazm. THE POETS: Qutub Shah page 21, Sauda 33, Mir, 75, Nazir 99, Zafar 229, Ghalib 253, Zauq 269, Inayat Khan 281, Iqbal 295. The correct rhyme-structures have been kept and beauty and meaning of these sometimes satirical, honest, eye-opening, powerful, loving and occasionally controversial and at times deeply mystical poems. Introduction Life, Times & Works of each poet with Selected Bibliographies. Large print (16pt) & Large Format (7" x 10") Edition. 349 pages. Paul Smith (b. 1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, Iqbal, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Lalla Ded, Hali and many others, and his own poetry, fiction, plays, biographies, children's books, screenplays. amazon.com/author/smithpa
Ghalib
Author: Mehr Afshan Farooqui
language: en
Publisher: Penguin Random House India Private Limited
Release Date: 2024-02-06
Mirza Asadullah Khan Ghalib was born in Agra in the closing years of the eighteenth century. He wrote in both Urdu and Persian and was also a great prose stylist. Ghalib fascinates his readers for many reasons, but one of the most noted qualities in Ghalib was that he was a careful, even strict, editor of his work. It is said that he discarded or disregarded more than half of his Urdu verses. These verses were forgotten for long, until as late as 1918, in the library of the princely state of Bhopal. In 1921, they were edited and published as a new Divan-e Ghalib. In Flowers in a Mirror, Mehr Afshan Farooqi continues her research in the strain of her first book, A Wilderness at My Doorstep. She examines Ghalib’s approach to his work, the world in which he lived and composed, and ultimately, his genius. She selects 30 ghazals from the rejected corpus, translates them into English and provides an erudite, sparkling critical commentary. Through this book, she highlights the significance of marginalized poetry and the need to reinstate the forgotten verses in our lives and hearts.