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The Art of Football

The Art of Football is a singular look at early college football art and illustrations. This collection contains more than two hundred images, many rare or previously unpublished, from a variety of sources, including artists Winslow Homer, Edward Penfield, J. C. Leyendecker, Frederic Remington, Charles Dana Gibson, George Bellows, and many others. Along with the rich art that captured the essence of football during its early period, Michael Oriard provides a historical context for the images and for football during this period, showing that from the beginning it was perceived more as a test of courage and training in manliness than simply an athletic endeavor. Oriard’s analysis shows how these early artists had to work out for themselves—and for readers—what in the new game should be highlighted and how it should appear on the page or canvas. The Art of Football takes modern readers back to the day when players themselves were new to the sport, and illustrators had to show the public what the new game of football was. Oriard demonstrates how artists focused on football’s dual nature as a grueling sport to be played and as a social event and spectacle to be watched. Through its illustrations and words The Art of Football gives readers an engaging look at the earliest depictions of the game and the origins of the United States as a football nation.

Princeton Alumni Weekly

The Mind Mappers

NATIONAL BESTSELLER The riveting true story of the star-crossed friendship between two neuroscientists—one famous, the other forgotten—who mapped the brain, but lost each other. In the early 1920s, when neurosurgery was more likely to be a death sentence than a cure, two men revolutionized the study of the brain: Wilder Penfield and William Cone. Drawn together by their shared fascination with the “undiscovered country” inside our heads, the surgeons formed a partnership and within ten years established the Montreal Neurological Institute in a Gothic stone hospital on the slope of a mountain. The Neuro soon became the world’s leading centre for neurological study, attracting men and women from across the globe to a booming mid-century city. But their success came at the cost of their friendship. While Cone spent long hours at patients’ bedsides and in the blood-spattered operating room, Penfield pursued the loftier goal of discovering the seat of consciousness. The Chief, as he was known, went on to develop the Montreal procedure for treating epilepsy, which helped identify the source of speech, executive function and memory in narrow slivers of grey matter—achievements that illuminated the relationship between mind and body, made possible by Cone’s anonymous work behind the scenes. Over time, their relationship became fraught with personal and professional hurts—and suddenly ended when Cone was found dead in his office at the age of sixty-two. In this compelling dual biography, Globe and Mail journalist Eric Andrew-Gee weaves together the rich history of The Neuro with that of Penfield and Cone to reveal the untold story of one of the birthplaces of neuroscience. In doing so, he breathes new life into a familiar hero and revives the tragic, forgotten story of his partner, writing Dr. William Cone back into the historical record at last.