Paying For It Review
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The Paying Guests
'A page-turning melodrama and a fascinating portrait of London on the verge of great change' Guardian It is 1922, and in a hushed south London villa life is about to be transformed, as genteel widow Mrs Wray and her discontented daughter Frances are obliged to take in lodgers. Lilian and Leonard Barber, a modern young couple of the 'clerk class', bring with them gramophone music, colour, fun - and dangerous desires. The most ordinary of lives, it seems, can explode into passion and drama... A love story that is also a crime story, this is vintage Sarah Waters. 'Another wild ride of a novel... magnetic storytelling' Tracy Chevalier, Observer 'You will be hooked within a page' Charlotte Mendelson, Financial Times 'Sumptuous... the writing is impeccable. A joy in every respect' New Statesman 'An unsurpassed fictional recorder of vanished eras and hidden lives' Sunday Times
Paying the Land
NAMED A BEST BOOK OF 2020 BY THE NEW YORK TIMES, THE GUARDIAN, THE BROOKLYN RAIL, THE GLOBE AND MAIL, POP MATTERS, COMICS BEAT, AND PUBLISHERS WEEKLY From the “heir to R. Crumb and Art Spiegelman” (Economist), a masterful work of comics journalism about indigenous North America, resource extraction, and our debt to the natural world The Dene have lived in the vast Mackenzie River Valley since time immemorial, by their account. To the Dene, the land owns them, not the other way around, and it is central to their livelihood and very way of being. But the subarctic Canadian Northwest Territories are home to valuable resources, including oil, gas, and diamonds. With mining came jobs and investment, but also road-building, pipelines, and toxic waste, which scarred the landscape, and alcohol, drugs, and debt, which deformed a way of life. In Paying the Land, Joe Sacco travels the frozen North to reveal a people in conflict over the costs and benefits of development. The mining boom is only the latest assault on indigenous culture: Sacco recounts the shattering impact of a residential school system that aimed to “remove the Indian from the child”; the destructive process that drove the Dene from the bush into settlements and turned them into wage laborers; the government land claims stacked against the Dene Nation; and their uphill efforts to revive a wounded culture. Against a vast and gorgeous landscape that dwarfs all human scale, Paying the Land lends an ear to trappers and chiefs, activists and priests, to tell a sweeping story about money, dependency, loss, and culture—recounted in stunning visual detail by one of the greatest cartoonists alive.
The Price You Pay
'A smart alec New York cocaine dealer discovers there's a hit out on him and decides the best course of action is to take bloody - and amusingly creative - revenge' Sun Get mad, get even, get paid. What kind of loser stops at getting even? Didi's dead. That's sad. Jack Price isn't sad, because Jack doesn't care about Didi. Jack is just angry, because if anyone was going to brutally murder his bad-tempered old neighbour, it was him. But when Jack takes matters into his own hands, he gets a contract taken out on him by an internationally renowned terrorist organisation. Which frankly seems overkill. Jack's just your average high-class coke dealer, after all. On a level playing field against a team of professional killers, he wouldn't stand a chance. But Jack Price doesn't play fair. And Jack Price is going to make these guys pay. 'The Price You Pay is brilliant, a latticework of barbed jokes and subtle observations and inventive misbehaviours, a high-end thriller, relentlessly knowing, relentlessly brutal. It reads like Martin Amis on mescaline' New York Times