Orchestra Instruments Near Me
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The Closest Thing to Crazy
'Fabulously readable' STEPHEN FRY 'Wildly entertaining' DAILY EXPRESS 'Rollicking ... ebullient ... Christmas present problems are instantly solved' MAIL ON SUNDAY Nominated for the 2025 Association for Recorded Sound Collections Awards for Excellence in Historical Recorded Sound Research Described variously as a 'polymath', a 'renaissance man' and 'one of the most colourful characters in the music business', Mike Batt has led an extraordinarily vibrant and challenging life that has been full of both glorious victories and bitter failures. For better or for worse, he is a man who has always lived life on his own terms. Idiosyncratic but mainstream, complicated but compassionate, steadfastly maverick in spirit but avowedly commercial in outlook. He is a man of great contradictions, but even greater talent. After starting out in the music business as a teenager, Batt shot to fame in the early 1970s for his part in the creation of the Wombles pop group. But this success proved to be just the beginning as he then went on to work with various artists as a songwriter, composer and producer, including Art Garfunkel, George Harrison, Cliff Richard, Andrew Lloyd-Webber and Katie Melua. Featuring cameos from some of the biggest stars in the business from Paul McCartney to Prince, The Closest Thing to Crazy takes us not only on the rocky (and classical) journey of Mike Batt's life but also on a tour around the inside of his mind.
Close to the Edge
The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, it's Yes's 1972 three-track masterpiece, Close to the Edge, that presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit. In this absorbing chronicle, which draws upon dozens of original and archived interviews and features rare photographs and an extensive discography, acclaimed music journalist Will Romano examines why Close to the Edge is the ultimate prog rock album. Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle – perhaps even magic – that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history. So potent was the power of Close to the Edge that even before its release it had forever shifted the personal dynamics of the group and the course of progressive rock. Rarely had Yes, or any rock outfit for that matter, been simultaneously so expansive and concise, spiritual and savage, profound and nebulous.
The orchestra and its instruments
In "The Orchestra and Its Instruments," Esther Singleton offers a comprehensive exploration of the symphonic ensemble, deftly illuminating the roles, timbres, and histories of each instrument that comprises the orchestra. Singleton's descriptive prose and insightful commentary engage readers in a journey through musical anatomy, blending aesthetic appreciation with technical knowledge. This work, published during the early 20th century, stands as a key contribution to musicology, reflecting the era's burgeoning interest in orchestral music, its cultural significance, and the democratization of musical education. Esther Singleton was a prolific author and editor, renowned for her passion for music and the arts. Her background in literature, alongside her lifelong fascination with symphonic expression, equipped her with a unique perspective that transcends mere technicality. Singleton's intention was not only to educate but also to foster appreciation for the nuanced beauty of orchestral music—an objective driven by her belief in the transformative power of the performing arts in society. This book is an essential read for music enthusiasts, scholars, and anyone keen to deepen their understanding of orchestral music. Singleton's meticulous research paired with engaging narrative serves as both an educational tool and a source of inspiration, making this work a timeless classic that merits a place in every music lover's library.