Nexus Mods Tales Of Symphonia
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The Peshawar Lancers
In the mid-1870s, a violent spray of comets hits Earth, decimating cities, erasing shorelines, and changing the world’s climate forever. And just as Earth’s temperature dropped, so was civilization frozen in time. Instead of advancing technologically, humanity had to piece itself back together… In the twenty-first century, boats still run on steam, messages arrive by telegraph, and the British Empire, with its capital now in Delhi, controls much of the world. The other major world leader is the Czar of All the Russias. Everyone predicts an eventual, deadly showdown. But no one can predict the role that one man, Captain Athelstane King, reluctant spy and hero, will play…
A Composer's Guide to Game Music
A comprehensive, practical guide to composing video game music, from acquiring the necessary skills to finding work in the field. Music in video games is often a sophisticated, complex composition that serves to engage the player, set the pace of play, and aid interactivity. Composers of video game music must master an array of specialized skills not taught in the conservatory, including the creation of linear loops, music chunks for horizontal resequencing, and compositional fragments for use within a generative framework. In A Composer's Guide to Game Music, Winifred Phillips—herself an award-winning composer of video game music—provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field. Musicians and composers may be drawn to game music composition because the game industry is a multibillion-dollar, employment-generating economic powerhouse, but, Phillips writes, the most important qualification for a musician who wants to become a game music composer is a love of video games. Phillips offers detailed coverage of essential topics, including musicianship and composition experience; immersion; musical themes; music and game genres; workflow; working with a development team; linear music; interactive music, both rendered and generative; audio technology, from mixers and preamps to software; and running a business. A Composer's Guide to Game Music offers indispensable guidance for musicians and composers who want to deploy their creativity in a dynamic and growing industry, protect their musical identities while working in a highly technical field, and create great music within the constraints of a new medium.
The Book of Ratings
Author: L. Fitzgerald Sjoberg
language: en
Publisher: Three Rivers Press (CA)
Release Date: 2002
Are you harshly judgmental? Yes! Do you walk around snidely rating everything in your path? Of course you do! You can't help it-it's just too easy and too much fun to rate everything from your coworkers and dates to restaurants and supermodels.The Book of Ratings, which grades and compares everyday items in its own unique way, is the ultimate catalog of the most mundane and most hilarious rankings around. For instance: Have you ever considered marsupials?Koalas: Koala bears eat only one thing, day in and day out. Koalas look cuddly, but they're actually irritable, solitary beasts who do not want belly rubs. What kind of mocking god created creatures with poofy ears and big black noses that don't want belly rubs? BOpossums: North America gets one lousy marsupial, and let's just say it's not going to win any beauty contests. Or even not-ugly contests. C-Wombats: "Wombat" is a great name. It's got a "wom" and a "bat," and an "omba." They're kind of nondescript animals, cute in a generic pudgy mammal way, but their name spelled backward is "tabmow," and that makes all the difference. A