Nature S Love

L.M. Montgomery and the Matter of Nature(s)

L.M. Montgomery’s writings are replete with enchanting yet subtle and fluid depictions of nature that convey her intense appreciation for the natural world. At a time of ecological crises, intensifying environmental anxiety, and burgeoning eco-critical perspectives, L.M. Montgomery and the Matter of Nature(s) repositions the Canadian author’s relationship to nature in terms of current environmental criticism across several disciplines, introducing a fresh approach to her life and work. Drawing on a wide range of Montgomery’s novels as well as her journals, this collection suggests that socio-ecological relationships encompass ideas of reciprocity, affiliation, autonomy, and the capacity for transformation in both the human and more-than-human worlds, and that these ideas are integral to Montgomery’s vision and her literary legacy. Framed by the twin themes of materiality and interrelationships, essays by scholars of literature, law, animal studies, anthropology, and ecology examine place, embodiment, and difference in Montgomery’s works and embrace the multiplicities embedded in the concept of nature. Through innovative critical approaches, L.M. Montgomery and the Matter of Nature(s) opens up conversations about humans’ interactions with nature and the material environment.

Elemental Natures

Elemental Natures draws together thirty years of poetic practice, with substantial selections from six previous books of poetry, including the sequence “No One Comes For Penelope— ”, a retelling of the end of the Odyssey that teases the reader with conflicting views of time and reality. The essay, “The American Voice”, looks at three iconic American poets, Walt Whitman, Robinson Jeffers, and Robert Lowell, emphasizing an entirely different viewpoint of what is unique to the American voice in poetry, focusing on its largesse, passion, excess, and ability to recover in confronting and making sense of our lives. His poetry is central to his creative output, work variously called “inspiring” “visionary” “vibrant” “post- Keatsian” “passionate” “unabashed by sensuality and feeling”; “a voice beyond epoch ... but rooted in Los Angeles”, dedicated “to the welfare of planet earth”, work variously compared to Browning, Auden, and in its freedom, Pablo Neruda.

Songs of Sundry Natures