Max Neuhaus Sound Art


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Max Neuhaus


Max Neuhaus

Author: Max Neuhaus

language: en

Publisher:

Release Date: 2009


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Sumario: Preface / Philippe Vergne -- Introduction. Locational listening / Lynne Cooke -- Moment and place : art in the arena of the everyday / Alex Potts -- An implication of an implication / Branden W. Joseph -- A talk between Peter Pakesch and Ulrich Loock about Max Neuhaus’s time pieces -- Max Neuhaus : sound into space / Liz Kotz -- Installing duration : time in the sound works of Max Neuhaus / Christoph Cox.

Background Noise


Background Noise

Author: Brandon LaBelle

language: en

Publisher: A&C Black

Release Date: 2006-01-01


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The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art to operate spatially, through media of reproduction and broadcast, and in relation to the intensities of communication and its contextual framework

Sound Art Revisited


Sound Art Revisited

Author: Alan Licht

language: en

Publisher: Bloomsbury Publishing USA

Release Date: 2019-08-22


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The first edition of Sound Art Revisited (published as Sound Art: Beyond Music, Between Categories) served as a groundbreaking work toward defining this emerging field, and this fully updated volume significantly expands the story to include current research since the book's initial release. Viewed through a lens of music and art histories rather than philosophical theory, it covers dozens of artists and works not found in any other book on the subject. Locating sound art's roots across the centuries from spatialized church music to the technological developments of radio, sound recording, and the telephone, the book traces the evolution of sound installations and sound sculpture, the rise of sound art exhibitions and galleries, and finally looks at the critical cross-pollination that marks some of the most important and challenging art with and about sound being produced today.