Massimo Onofri
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Postmodern Ethics
Author: Elizabeth Wren-Owens
language: en
Publisher: Cambridge Scholars Publishing
Release Date: 2009-05-05
Postmodern Ethics offers a new perspective on debates surrounding the role of the intellectual in Italian society, and provides an original reading of two important Italian contemporary writers, Leonardo Sciascia and Antonio Tabucchi. It examines the ways in which the two writers use literature to engage with their socio-political environment in a climate informed by the doubts and scepticism of postmodernism, after traditional forms of impegno had been abandoned. Postmodern Ethics explores ways in which Tabucchi and Sciascia further their engagement through embracing the very factors which problematized traditional committed writing, such as the absence of fixed truths, the inability of language to fully communicate ideas and intertextuality. Postmodern Ethics provides an innovative new reading of Tabucchi’s works. It challenges the standard view in critical literature that his writing may be divided into ‘engaged’ texts which dialogue with society and ‘postmodern’ texts which focus on literary interiority, suggesting instead that socio-political engagement underpins all of his works. It also offers a new lens on Sciascia’s writing, unpacking why Sciascia, unlike his contemporaries, is able to maintain a belief in literature as a means of dialoguing with society. Postmodern Ethics explores the ways in which Tabucchi and Sciascia approach issues of terrorism, justice, the anti-mafia movement, immigration and the value of reading in connected yet distinct ways, suggesting that a close genealogy may be drawn between these two key intellectual figures.
Imagination Besieged
Imagination Besieged records the silenced stories of a Mediterranean defined by loss, displacement, dispossession, violence, and its refusal. Drawing links and connections between Calabria, Athens, Ramallah, and Beirut, the book grapples with the legacies of histories of violence, criminality, and colonialism that define not only the past, but very much the present of a Mediterranean stuck in cycles of crises and death. This atmosphere of impossibility and immobility, as the author argues, debilitates and distorts imagination as much as it forces those subjected to it to find ways to express their dissent, sometimes in tragic ways. The book invites to read with the “Mediterranean” as a space where violence can be “felt” and “breathed” in the air. It looks and makes connections between the works of artists and writers who have problematised and challenged existing ahistorical representation of the “Mediterranean” as an exotic tourist destination. In the works and words of the artists and writers discussed, the Mediterranean appears not as a mythical place, but in all its ambiguousness, paradoxes, dissonances, and the distortions on the bodies, the landscape, the environment, and the imagination produced by this persistent and invisibilised systemic violence. At the same time, Imagination Besieged listen to the refusal of this violence in the lives and practices of those who have rejected familial belongings, narrow definitions of identity, and their continuous dispossession. Each essay taps into the depth of the archive of the modern Mediterranean to bring into the present what this present seeks to conceal.
Voglio morire! Suicide in Italian Literature, Culture, and Society 1789-1919
Author: Paolo L. Bernardini
language: en
Publisher: Cambridge Scholars Publishing
Release Date: 2014-09-01
The theme of suicide was of paramount importance in Italy in the long nineteenth century, from the French revolution to the outbreak of World War I. A number of writers, intellectuals, politicians, and artists wrote about suicide, and a very high number of people killed themselves, for several reasons. There were suicides for love and for homeland, suicides for despair, and suicides for ennui. In Italy, once a very traditional, Catholic country, where suicide was very uncommon and rarely treated as a subject of moral theology or literature, it suddenly became extremely widespread. This book provides the first interdisciplinary account of this phenomenon, taken from several angles, including literature, the arts, politics, society, and philosophy, as well as sociology. Its authors rank among the best international specialists on suicide, and the figures dealt with include major intellectuals and writers such as Ugo Foscolo, Emilio Salgari, Giuseppe Pellizza da Volpedo, Giacomo Leopardi and Carlo Michelstaedter.