Life Is Elsewhere Sohrab Hura
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Life is Elsewhere
It was in the summer of 1999 when my mother was diagnosed with an acute case of Paranoid Schizophrenia. I was 17 then. The doctors, in retrospect, had said that she had already started developing the symptoms many years prior to that. Symptoms that nobody had noticed. But it was the break up with my father that caused her condition to suddenly come alive and then deteriorate. Over the years, the walls of our home started to peel off, people had stopped coming to our home because my mother was too scared to let anybody in and all that remained were the traces of a life that no longer existed. Our initial years were spent hiding from the world. Hers out of paranoia and mine out of embarrassment and anger at who she had become. But after all these years I ve realized that my mother had never stopped loving me. Today as I look back I realize who I am what I feel see and think is connected to my relationship with my mother in a way stronger than I know. And in this work I hope I am able to connect the relationship that I ve had with my mother with the rest of my life. Life is Elsewhere is a journal of my life, my family, my love, my friends, my travels, my sheer need to experience all that is about to disappear and so in a way I m attempting to connect my own life with the world that I see with a hope to find my reality in itLife is Elsewhere is a book of contradictions and of doubts and understandings and of laughter and forgetting in which I am trying to constantly question myself by simply documenting the broken fragments of my life which might seem completely disconnected to one another on their own. But I hope that in time I am able to piece together this wonderful jigsaw puzzle called life. And this journey will perhaps lead to reconciliation with my own life - Sohrab Hura
The Last Cruze
As the General Motors plant in Lordstown, Ohio halted production and faced possible closure, displacing its workers, artist LaToya Ruby Frazier joined with these workers, their families, and their local union leaders to tell the story of the plant in its final days. After more than fifty years of automobile production and a commitment to manufacture the Chevrolet Cruze until 2021, the facility was recently "unallocated" by GM, as the company shifts its focus toward overseas manufacturing and the production of electric and autonomous vehicles. For many, this meant uprooting their families and giving up the support of a close-knit community. Those who turned down transfers to GM plants in other states lost their income, pensions, and benefits. The Last Cruze, which sets out to amplify the voices of the auto workers in Lordstown, introduces a new chapter to Frazier's work in investigating labor, family, community, and the working class. Exhibited at the Renaissance Society in 2019, this body of work includes over sixty photographs, alongside the written stories of the workers, and was staged within an installation that echoes the structure of the plant's assembly line. This substantial catalogue includes extensive documentation of the work and introduces new essays and dialogues by contributors including Coco Fusco, David Harvey, Werner Lange, Lynn Nottage, Julia Reichert, Benjamin Young, and members of the local chapter of the United Auto Workers.
The Far Field
Winner of the JCB Prize for Literature 2019. Shortlisted for the DSC Prize for South Asian Literature 2019.Shortlisted for the Tata Literature Live! First Book Award (Fiction) 2019.In the wake of her mother's death, Shalini, a privileged, naive and restless young woman from Bangalore, sets out for a remote village in Kashmir. Certain that the loss of her mother is somehow connected to the decade-old disappearance of Bashir Ahmed, a charming Kashmiri salesman who frequented her childhood home, she is determined to track him down. But as soon as Shalini arrives, she is confronted with the region's politics, as well as the tangled history of the local family that takes her in. As life in the village turns volatile and old hatreds threaten to erupt into violence, Shalini finds herself forced to make a series of choices that could have dangerous repercussions for the people she has come to love.With rare acumen and evocative prose, in The Far Field Madhuri Vijay gives a potent critique of Indian politics and class prejudice through the lens of a guileless outsider, while also offering up a profound meditation on grief, guilt and the limits of compassion.