Less Than Zero Book
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Less Than Zero
‘Unstoppable . . . The impeccable timing captures the banalities of Clay’s life in a way that both disgusts me and breaks my heart’ – Ottessa Moshfegh, author of My Year of Rest and Relaxation and Lapvona In 1985, years before American Psycho, Bret Easton Ellis shocked, stunned and disturbed the world with his debut novel, Less Than Zero. This 40th anniversary edition of the cult classic novel contains an introduction by Rachel Kushner, the Booker Prize-nominated author of Creation Lake and The Mars Room. Eighteen-year-old Clay has come home to LA for Christmas break after his first term at college. Clay is three things: rich, bored, and looking to get high. Reacquainting himself with a world of privilege and limitless indulgence, Clay steps back into the hedonism and moral depravity of his life in California. With its relentless scenes of grotesque brutality, Less Than Zero is an unflinching portrait of a lost generation in revolt. Published when he was just twenty-one, Less Than Zero held an excoriating mirror up to the culture of excess and vapidity of 1980s Los Angeles and made Bret Easton Ellis an instant literary sensation. ‘The simplicity of the prose, the precision of his imagery, and the atmosphere of menace and cultural oblivion are invigorating . . . one of the most telling and striking chroniclers of the void beneath our consumerist society’ – The Guardian ‘Deadly serious social satires masquerading as generic pulp workouts . . . artifacts that can rearrange your chemistry and make you see the world anew’ – Esquire ‘An extremely traditional and very serious American novelist. He is the model of literary filial piety, counting among his parents Ernest Hemingway, F. Scott Fitzgerald, Nathanael West, and Joan Didion’ – The Washington Post
Imperial Bedrooms
INTERNATIONAL BESTSELLER • The New York Times bestselling author of American Psycho delivers a riveting, tour-de-force sequel to Less Than Zero, set on the seedy side of Los Angeles. • "A haunting vision of disillusionment, twenty-first-century style" (People). Returning to Los Angeles from New York, Clay, now a successful screenwriter, is casting his new movie. Soon he is running with his old circle of friends through L.A.’s seedy side. His ex-girlfriend, Blair, is married to Trent, a bisexual philanderer and influential manager. Then there's Julian, a recovering addict, and Rip, a former dealer. Then when Clay meets a gorgeous young actress who will stop at nothing to be in his movie, his own dark past begins to shine through, and he has no choice but to dive into the recesses of his character and come to terms with his proclivity for betrayal.
White
White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho, Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates his admonishment of received truths as expressed by today's version of "the left." Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at the relentless anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, the obfuscation of ideals once both cherished and clear, and the fugue state of American democracy. In a young century marked by hysterical correctness and obsessive fervency on both sides of an aisle that's taken on the scale of the Grand Canyon, White is a clarion call for freedom of speech and artistic freedom. "The central tension in Ellis's art—or his life, for that matter—is that while [his] aesthetic is the cool reserve of his native California, detachment over ideology, he can't stop generating heat.... He's hard-wired to break furniture."—Karen Heller, The Washington Post "Sweating with rage . . . humming with paranoia."—Anna Leszkiewicz, The Guardian "Snowflakes on both coasts in withdrawal from Rachel Maddow's nightly Kremlinology lesson can purchase a whole book to inspire paroxysms of rage . . . a veritable thirst trap for the easily microaggressed. It's all here. Rants about Trump derangement syndrome; MSNBC; #MeToo; safe spaces."—Bari Weiss, The New York Times