La Passione Secondo Maria Di Massimo Cacciari
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The Necessary Angel
Cacciari, academic (aesthetics, U. of Venice) and mayor of Venice as of 1993, surveys the history of angels in Judaic, Islamic, and Christian traditions; and how Dante, Rilke, Kafka, and other writers have used the metaphor of angels to speak about the phenomenology of language. Translated from the
Il Pensiero, XLIII, 1-2, 2004
Author: Massimo Adinolfi
language: it
Publisher: Inschibboleth Edizioni
Release Date: 2021-01-14T00:00:00
Fascicolo 1: Sconfinamenti. Filosofia, Musica, Arti figurative, Letteratura. Saggi: M. CACCIARI, Da Hegel a Duchamp; E. TRÍAS, Stravinsky: il grande sacrificio; V. VITIELLO, Arte e natura. Heidegger alessandrino?; A. TRIMARCO, Post-histoire. L’«estetica della sparizione» e il privilegio dell’arte; P. DE LUCA, Nel segno del bianco. Il colloquio di María Zambrano con la pittura; F. FIMIANI, De l’antique Vénus le superbe fantôme. Memoria e riscrittura dell’arte in Der Zauberberg di Thomas Mann. Fascicolo 2: Luoghi e immagini del Moderno. Filosofia, Arte, Religione. Saggi: F. DUQUE, Don Chisciotte, o l’individuo finto; V. VITIELLO, Il Don Quijote e il Faust. Per un’interpretazione dell’alessandrinismo moderno; M. DONÀ, La creazione dello spazio nell’esperienza estetica. Altri suoni, altri spazi; M. RUSSO, Segno, significato, mimesi. Intorno alla teoria della notazione di Goodman e Adorno; M. ADINOLFI, Il vaso di Ozu. Qualche considerazione sul cinema e l'immagine; G. LINGUA, Invisibile luce. Questioni di teoria dell’immagine nell’icona; G. DAL MASO, Danza e silenzio. Teologia e affetti in Bach; M. PASSARO, I pensieri sull’arte di Jawlensky e Galka.
Architecture and Nihilism
"Massimo Cacciari, one of the most influential social philosophers in Italy today, is the founder of the trend of criticism known as "negative thought" that focuses on the failure of traditional logic to explicate the problems of modernity. This book, which introduces his writings to an English-speaking audience, provides a striking social and philosophical account of the twentieth-century metropolis. Patrizia Lombardo's extensive introduction situates Cacciari's thought within the milieu of Italian political activism and philosophy between the 1960s and the 1980s, from his collaboration on the leftist journal Contropiano to his long association with Manfredo Tafuri." "Cacciari studies the relation between philosophy and modern architecture and applies the thinking of avant-garde architects, artists, and writers to the social and political problems raised by technological society. He begins by defining the modern metropolis, using the terms and ideas of Georg Simmel and Max Weber, but revealing where their frameworks are limited. He then examines the work of Adolf Loos and other architects and designers in early twentieth-century Vienna, showing how their architecture and criticism expose the alienation and utopianism in notions of the organic city. Cacciari demonstrates how architecture intersects with the city and the state but also with the interior of the private dwelling and with its resistance to the external world. Bringing together philosophy, sociology, urbanism, labor history, economics, and aesthetics, he helps us comprehend via these disciplines a crucial period in the history of modernity."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved