La Haine Film
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La Haine
Author: Ginette Vincendeau
language: en
Publisher: Bloomsbury Publishing
Release Date: 2005-10-04
"La Haine" is a cult classic with cinema audiences, recently re-released and available on dvd. Ginette Vincendeau is top authority internationally on French cinema, who writes (eg "Sight and Sound") and broadcasts (eg "Front Row Radio 4") on it regularly. It is hugely enjoyable, exciting book written with great panache and accessibility. Released in 1995, "La Haine" is the black and white chronicle of 24 hours in the life of a mixed-race young male trio from a run-down Parisian suburb. The work of a - then - unknown young team, it became hugely and unexpectedly successful, launching director Mathieu Kassovitz and lead player Vincent Cassel to stardom. Vincendeau provides a thorough understanding of the context of the film's making, both in terms of the film industry and of French society, of the film's narrative tension, stylistic sophistication and ideological ambiguity and of its extraordinary success nationally and internationally. She thus explains why, out of so many films about disaffected youth, "La Haine" is the one that has caught the international imagination.
French Film
The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.
Reframing Difference
Author: Carrie Tarr
language: en
Publisher: Manchester University Press
Release Date: 2005-09-17
This is the first major study of two overlapping strands of contemporary French cinema, "cinéma beur" (films by young directors of Maghrebi immigrant origin) and "cinéma de banlieue" (films set in France's disadvantaged outer-city estates). Carrie Tarr's insightful account draws on a wide range of films, from directors such as Mehdi Charef, Mathieu Kassowitz and Djamel Bensalah. Foregrounding such issues as the quest for identity, the negotiation of space and the recourse to memory and history, she argues that these films challenge and reframe the symbolic spaces of French culture, addressing issues of ethnicity and difference which are central to today's debates about what it means to be French.