Konvokesyen Ke 23 Umt 2025 Dewan Sultan Mizan
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Electrochemical Impedance Spectroscopy
Author: Marwa El-Azazy
language: en
Publisher: BoD – Books on Demand
Release Date: 2020-12-16
Electrochemical Impedance Spectroscopy is a compendium of contributions from experts in the field of electrochemical impedance spectroscopy (EIS). This compilation of investigations and reviews addresses the groundbreaking applications of EIS in different fields. An array of exploitations are revealed throughout this book such as the use of EIS in monitoring and controlling of corrosion, in medicine where accurate information on fluid distribution is needed as well as environmental applications in food, water, and drug analyses. Competency of EIS as an approach compared to the traditional electrochemical techniques is assessed in almost every application. This book, therefore, is a valuable reference for students, researchers, and anyone interested in electrochemical impedance spectroscopy.
Waste to Wealth
This book focuses on value addition to various waste streams, which include industrial waste, agricultural waste, and municipal solid and liquid waste. It addresses the utilization of waste to generate valuable products such as electricity, fuel, fertilizers, and chemicals, while placing special emphasis on environmental concerns and presenting a multidisciplinary approach for handling waste. Including chapters authored by prominent national and international experts, the book will be of interest to researchers, professionals and policymakers alike.
Eclecticism in Drama
Author: Farideh Alizadeh
language: en
Publisher: Createspace Independent Publishing Platform
Release Date: 2016-01-01
This present book proposes Eclecticism and analyses a kind of Eclectic Theatre in Iran which finds based on Ta'ziyeh. In general, Eclecticism describes a combination of a variety of influences, mainly of elements from different historical styles in architecture, painting, the graphic and decorative arts, as well as music in a single work. Eclecticism as a theatrical form was developed particularly by two directors: Max Reinhart, and Yevgeny Vakhtangov. 'Orghast', 'Conference of the birds' and 'Mahabharata' by Peter Brook are some examples of eclectic theatre in the West. Eclectic Theatre is a kind of new theory in postmodern theatre studies which can be manifested in connection with theatre activities of Iran. Based on our research, Eclectic Theatre found in Iran with 'Iranian Kings Resurrection Opera' (Rastakhiz Salatin Iran Opera). This Opera is an early example by Yahya Aranpour who reveals that Mirzadeh Eshghi merged western opera with Iranian theatre and brought out a new style of opera, and classified as Eclectic Theatre based on theatrical forms. In addition, 'Firdausi's memorial' which includes three stories from 'Shahnameh Firdausi' (the epic and legendary history of Iran by Firdausi). Moreover, some Iranian directors and playwrights have been derived from elements of Iranian traditional forms and merged them with western elements theatre. Therefore, they created new works of art which made based on their aesthetic principle. Subsequently, since the 1980s (AH 1360s) some Iranian dramatists have applied the 'form' and 'content' of Ta'ziyeh in their dramas. To name a few, for instance: Fath-Nameh Kalat in 1984, the cinematographic Mosaferan (Passengers) and the plays Parde-khane by Bahram Beyzaie in 1993 have taken from tragedy Ta'ziyeh. 'The Tragedy of Siavush' by Tahmoures in 2009 which dramatic structure involved with the elements of the 'Ta'ziyeh of Imam Hussain's Martyrdom'. Therewithal, Ghadamshad the Minstrel's Martyrdom-Playing in Tehran by in 2006 and Ashaghe (Story of Love) in 2007 by Mohamad Rahmanian are taken from subsequently tragedy and joyful Ta'ziyeh such as 'feminine Ta'ziyeh'. For the purpose of this study, the author will analyse some plays, based on Eclectic Theatre, as clear examples of Ta'ziyeh-influenced theatre as eclectic theatre in Iran. To this purpose, the author has made some classifications and criteria determined by watching plays, based on techniques and methods of Ta'ziyeh, and analysed those plays through eclecticism as an alternative form in postmodern theatre. This method has proved favourable for comparative studies on one part, while the Iranian theatrical forms have been more clear and researchable, on the other.