James S Ackerman The Architecture Of Michelangelo


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The Architecture of Michelangelo


The Architecture of Michelangelo

Author: James S. Ackerman

language: en

Publisher: London : Zwemmer

Release Date: 1961


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In this widely acclaimed work, James Ackerman considers in detail the buildings designed by Michelangelo in Florence and Rome-including the Medici Chapel, the Farnese Palace, the Basilica of St. Peter, and the Capitoline Hill. He then turns to an examination of the artist's architectural drawings, theory, and practice. As Ackerman points out, Michelangelo worked on many projects started or completed by other architects. Consequently this study provides insights into the achievements of the whole profession during the sixteenth century. The text is supplemented with 140 black-and-white illustrations and is followed by a scholarly catalog of Michelangelo's buildings that discusses chronology, authorship, and condition. For this second edition, Ackerman has made extensive revisions in the catalog to encompass new material that has been published on the subject since 1970.

The Architecture of Michelangelo: Text and plates


The Architecture of Michelangelo: Text and plates

Author: James S. Ackerman

language: en

Publisher:

Release Date: 1961


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Distance Points


Distance Points

Author: James S. Ackerman

language: en

Publisher: MIT Press

Release Date: 1994


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These essays by one of America's foremost historians of art and architecture range over theory and criticism, the search for connections between art and science in the Renaissance, and specific works of Renaissance architecture. The largest group of essays, dealing with the character of Renaissance architecture, are models of art historical scholarship in their direct approach to identifying the essentials of a building and the social and intellectual context in which they should be viewed. Another group of essays explores encounters between the traditions of artistic practice and early optics and color theory. The three essays that begin this collection bring to light the intellectual and moral concerns that underlie all of Ackerman's art historical work.