Intertexts Writings On Language Utterance And Context
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Intertexts
Author: William F. Hanks
language: en
Publisher: Bloomsbury Publishing PLC
Release Date: 2000-01-10
Over the past two decades, William Hanks has explored the dynamics of verbal interaction, and how speakers and listeners make meaning through language. With equal commitment to theory and empirical description, Hanks' writings combine analyses of linguistic form, speech processes, and sociocultural context. His work is marked by a commitment to interdisciplinary research, starting with his joint training in linguistics and anthropology, and increasingly integrating elements from philosophy, literary theory, and history. This book brings together papers written over the last decade, organized around the three central themes that have been emerged in Hanks' work: indexicality and referential practices; discourse genres and textuality; and the historical embeddedness of language. Together, they present the main elements of a coherent, synthetic approach to language in context. The linguistic, ethnographic, and historical material through which Hanks argues his approach come from his field research among maya speakers in Yucatan, Mexico, and from archival work on the historical development of Maya discourse under Spanish colonial rule. Several of the papers originally appeared in journals and edited volumes abroad and appear here for the first time in English.
Stance
Author: Harris M. Berger
language: en
Publisher: Wesleyan University Press
Release Date: 2012-01-01
Why does music move us? How do the immediate situation and larger social contexts influence the meanings that people find in stories, rituals, or films? How do people engage with the images and sounds of a performance to make them come alive in sensuous, lived experience? Exploring these questions, Stance presents a major new theory of emotion, style, and meaning for the study of expressive culture. In clear language, the book reveals dimensions of lived experience that everyone is aware of but that scholars rarely account for. Though music is at the heart of the book, its arguments are illustrated with a wide range of clear examples—from the heavy metal concert to the recital hall, from festivals to dance, stand-up comedy, the movies, and beyond. Helping ethnographers get closer to the experiences of the people with whom they work, this book will be of immediate interest to anyone in ethnomusicology, folklore, popular music studies, anthropology, or performance studies.
Visual Worlds
As many observers have noted, the world is becoming increasingly visually mediated, with the rise of computers and the internet being central factors in the emergence of new tools and conventions. Exploring the social structure of visuality, this volume contains a collection of essays by internationally renowned artists and scholars from a variety of fields (including art history, literary theory and criticism, cultural studies, film and television studies, intellectual history and sociology). It was conceived to address a bold query: how is our experience and understanding of vision and visual form changing under pressure from the various social, economic and cultural factors that are linked under the term 'globalization'. The essays overlap in their considerations of the tensions between cultures and worlds, political life, everyday social experience, and war. The resulting conversation that develops between the chapters touches on points from many visual worlds, and provides a unique opportunity for considering the changing character of visual experience today. This book will attract readers from a wide range of academic disciplines and will especially be valuable as a textbook for graduate and undergraduate courses in visual culture and cultural studies.