Has Anyone Ever Broken Every Bone In Their Body At Once


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The Ashes of Murderous Lies


The Ashes of Murderous Lies

Author: Mary Cruz

language: en

Publisher: AuthorHouse

Release Date: 2016-11-18


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Firefighter and businessman Chase Bennett could never have predicted the entangled secrets and intricate lies cutting down a few evergreen trees would unearth, but once the first decayed skeleton was found in Victor Falls, Washington the towns residents frantically rush to bury their own dirty secrets faster than the truth can be exposed. Five years have passed since three women, Maggie, Paige and Iris Anne collectively conspired to bury a scoundrel of a man, Jack Russell, but even as they worked together to bury him, individually each of the women believed they were solely responsible for his murder.

Phantom Death


Phantom Death

Author: Sadie Montgomery

language: en

Publisher: iUniverse

Release Date: 2008-11-02


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Inspector Leroux had witnessed the execution of the Phantom of the Opera. Justice had been served. So he thinks, until letters in a feminine hand arrive, hinting at the curious coincidence of a masked composer, Erik Costanzi, thriving in an Italian opera house and married to the former Parisian Diva, Meg Giry. Driven by outrage and a desire for revenge, the inspector tracks the Phantom to his new home. But there is another ghost from Erik's past, one who dogs the Phantom's steps, who sabotages the production of his newest opera, and who threatens the peace he has found with Meg and his family. Book IV, Phantom Death, is the last in the Phoenix of the Opera series. It continues and closes the story begun in The Phoenix of the Opera, and continued in Out of the Darkness: The Phantom's Journey and The Phantom's Opera.

Nineteen To the Dozen


Nineteen To the Dozen

Author: Sholem Aleichem

language: en

Publisher: Syracuse University Press

Release Date: 2000-04-01


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The author of classic Yiddish novels and short stories, Sholem Aleichem—best known for having inspired the popular play, Fiddler on the Roof, evokes the voices of Yiddish speakers in these monologues written between 1901 and 1916. In each piece, a man or a woman comes forward to tell the story. The implied listeners—a rabbi, a doctor, or the author himself—says virtually nothing. Aleichem pretends to have transcribed these private performances for the reader's benefit.