Hard Boiled Wonderland And The End Of The World Chapter Summary

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Haruki Murakami

Japanese writer Haruki Murakami has achieved incredible popularity in his native country and world-wide as well as rising critical acclaim. Murakami, in addition to receiving most of the major literary awards in Japan, has been nominated several times for the Nobel Prize. Yet, his relationship with the Japanese literary community proper (known as the Bundan) has not been a particularly friendly one. One of Murakami’s central and enduring themes is a persistent warning not to suppress our fundamental desires in favor of the demands of society at large. Murakami’s writing over his career reveals numerous recurring motifs, but his message has also evolved, creating a catalogue of works that reveals Murakami to be a challenging author. Many of those challenges lie in Murakami’s blurring of genre as well as his rich blending of Japanese and Western mythologies and styles—all while continuing to offer narratives that attract and captivate a wide range of readers. Murakami is, as Ōe Kenzaburō once contended, not a “Japanese writer” so much as a global one, and as such, he merits a central place in the classroom in order to confront readers and students, but to be challenged as well. Reading, teaching, and studying Murakami serves well the goal of rethinking this world. It will open new lines of inquiry into what constitutes national literatures, and how some authors, in the era of blurred national and cultural boundaries, seek now to transcend those boundaries and pursue a truly global mode of expression.
Gatekeepers

Author: William Marling
language: en
Publisher: Oxford University Press
Release Date: 2016-03-15
The romantic idea of the writer as an isolated genius has been discredited, but there are few empirical studies documenting the role of "gatekeeping" in the literary process. How do friends, agents, editors, translators, small publishers, and reviewers-not to mention the changes in technology and the publishing industry-shape the literary process? This matrix is further complicated when books cross cultural and language barriers, that is, when they become part of world literature. Gatekeepers builds on the work of Pierre Bourdieu, Randall Collins, James English, and Mark McGurl, describing the multi-layered gatekeeping process in the context of World Literature after the 1960s. It focuses on four case studies: Gabriel García Márquez, Charles Bukowski, Paul Auster and Haruki Murakami. The two American authors achieved remarkable success overseas owing to canny gatekeepers; the two international authors benefited tremendously from well-curated translation into English. Rich in archival materials (correspondence between authors, editors, and translators, and publishing industry analyses), interviews with publishers and translators, and close readings of translations, this study shows how the process and production of literature depends on the larger social forces of a given historical moment. William Marling also documents the ever-increasing Anglo-centric dictate on the gatekeeping process. World literature, the book argues, is not so much a "republic of letters" as a field of chance on which the conversation is partly bracketed by historic events and technological opportunities.
Strange Narrators in Contemporary Fiction

Author: Marco Caracciolo
language: en
Publisher: U of Nebraska Press
Release Date: 2016-12-01
Cover -- Title Page -- Copyright Page -- Contents -- List of Illustrations -- Acknowledgments -- Spiders on Drugs: A Prologue -- Introduction: Minding Characters -- 1 Patterns of Cognitive Dissonance -- 2 Two Child Narrators -- 3 Madness between Violence and Insight -- 4 A Strange Mood -- 5 Tales of Rats and Pigs -- 6 Obsessive Narrators, Unstable Knowledge -- Coda: Uses of the Character- Centered Illusion -- Notes -- Works Cited -- Index