Great Reckonings In Little Rooms On The Phenomenology Of Theater


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Great Reckonings in Little Rooms


Great Reckonings in Little Rooms

Author: Bert O. States

language: en

Publisher: Univ of California Press

Release Date: 1985


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This is a book about the theater phenomenon. It is an extension of notes on the theater and theatergoing that have been accumulating for some time. It does not have an argument, or set out to prove a thesis, and it will not be one of those useful books one reads for the fruits of its research. Rather, it is a form of critical description that is phenomenological in the sense that it focuses on the activity of theater making itself out of its essential materials: speech, sound, movement, scenery, text, etc. Like most phenomenological description, it will succeed to the extent that it awakens the reader's memory of his own perceptual encounters with theater. If the book fails in this it will be about as interesting to read as an anthology of someone else's dreams. In any case, this book is less concerned with the scientific purity of my perspective and method than with retrieving something from the theater experience that seems to me worthy of our critical admiration.

The Stage Life of Props


The Stage Life of Props

Author: Andrew Sofer

language: en

Publisher: University of Michigan Press

Release Date: 2003-06-17


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Fresh and provocative readings of familiar stage objects provide new ways of understanding theater, dramatic literature, and culture

Theatre and Phenomenology


Theatre and Phenomenology

Author: Daniel Johnston

language: en

Publisher: Bloomsbury Publishing

Release Date: 2017-09-16


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This core textbook provides a clear and accessible introduction to the key concepts of phenomenology in relation to theatre, showing how they shed light on the works of influential theatre-makers such as Brecht, Artaud, and Stanislavski. By placing these concepts in dialogue with theatre-makers, Johnston is able to demonstrate how philosophical ideas can be put to work in a theatrical context and how we can approach difficult theory from a practical perspective. Each chapter features exercises and topics for discussion to encourage readers to explore the ideas presented in more depth. This is an excellent resource for undergraduate and postgraduate students of theatre, performance studies, and philosophy.