Goethe And The Philosophers Stone Symbolic Patterns In The Parable And The Second Part Of Faust

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Goethe and the Philosopher’s Stone

Originally published in 1965, this study examines the concealed meanings in the second part of Faust, often considered obscure. It is of value not only to students of literature but also comparative religions, as it deals with Goethe’s knowledge of ancient myths, mysteries and Hellenistic religions. It is of value too, to those interested in alchemy as it traces the many alchemical references in Faust. The book gives a psychological interpretation of elements of Goethe’s personal life and work, which succeeds in making the man and the veiled references in his most profound work accessible to the modern reader.
Dream Symbols of the Individuation Process

Author: C. G. Jung
language: en
Publisher: Princeton University Press
Release Date: 2021-12-14
"In 1936 and 1937, C. G. Jung delivered two legendary seminars on dream interpretation, the first on Bailey Island, Maine, the second in New York City. Dream Symbols of the Individuation Process makes these lectures widely available for the first time, offering a compelling look at Jung as he presents his ideas candidly and in English before a rapt American audience."--
Analytical Psychology and German Classical Aesthetics: Goethe, Schiller, and Jung, Volume 1

In this volume, Paul Bishop investigates the extent to which analytical psychology draws on concepts found in German classical aesthetics. It aims to place analytical psychology in the German-speaking tradition of Goethe and Schiller, with which Jung was well acquainted. Analytical Psychology and German Classical Aesthetics argues that analytical psychology appropriates many of its central notions from German classical aesthetics, and that, when seen in its intellectual historical context, the true originality of analytical psychology lies in its reformulation of key tenets of German classicism. Although the importance for Jung of German thought in general, and of Goethe and Schiller in particular, has frequently been acknowledged, until now it has never been examined in any detailed or systematic way. Through an analysis of Jung’s reception of Goethe and Schiller, Analytical Psychology and German Classical Aesthetics demonstrates the intellectual continuity within analytical psychology and the filiation of ideas from German classical aesthetics to Jungian thought. In this way it suggests that a rereading of analytical psychology in the light of German classical aesthetics offers an intellectually coherent understanding of analytical psychology. By uncovering the philosophical sources of analytical psychology, this first volume returns Jung’s thought to its core intellectual tradition, in the light of which analytical psychology gains new critical impact and fresh relevance for modern thought. Written in a scholarly yet accessible style, this book will interest students and scholars alike in the areas of analytical psychology, comparative literature, and the history of ideas.