Frankly My Dear

Frankly, My Dear

Haskell keeps both novel and movie at hand, moving from one to the other, comparing and distinguishing what Margaret Mitchell expresses from what obsessive producer David O. Selznick, directors George Cukor and Victor Fleming, screenplaywrights Sidney Howard and a host of fixers (including Ben Hecht and Scott Fitzgerald), and actors Vivien Leigh, Clark Gable, Hattie McDaniel, and others convey. She emphasizes the contributions of Selznick, Leigh, and in an entire chapter, Mitchell, drawing heavily and analytically on existing biographies, the literature of women and the Civil War, Civil War films (especially Birth of a Nation and Jezebel), and film criticism to such engaging effect as to not just revisit GWTW but to revive and intensify the enduring fascination of what Selznick dubbed the American Bible. --Olson, Ray Copyright 2009 Booklist.

Frankly, My Dear

Lost in the Bayou... Selene has always had three great passions: men, food . . . and Gone With the Wind. Still, the glamorous model always seems to be starving for both nourishment and affection. Weary of the petty world of high fashion, she heads to New Orleans for one last shoot before she chucks it all and begins a whole new life. But she doesn't realize that, thanks to an errant voodoo spell, her new life will happen 150 years in the past . . . and in the company of a dark and brooding gentleman who could give Rhett Butler a run for his money! An alarmingly handsome Southern planter, James Baptiste may not have Rhett's cavalier spirit—and his plantation is certainly no Tara! But it's clear as crystal that this virile Creole is a lover worth giving a damn about. And with God as her witness, Selene vows she will never go hungry for this man again!

Frankly My Dear I'm Gay