Exit Pursued By A Bear Play
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Exit, Pursued by a Bear
From #1 New York Times bestselling author E.K. Johnston comes a brave and unforgettable story that will inspire readers to rethink how we treat survivors. Hermione Winters is captain of her cheerleading team, and in tiny Palermo Heights, this doesn’t mean what you think it means. At PHHS, the cheerleaders don't cheer for the sports teams; they are the sports team—the pride and joy of a small town. The team's summer training camp is Hermione's last and marks the beginning of the end of…she’s not sure what. She does know this season could make her a legend. But during a camp party, someone slips something in her drink. And it all goes black. In every class, there's a star cheerleader and a pariah pregnant girl. They're never supposed to be the same person. Hermione struggles to regain the control she's always had and faces a wrenching decision about how to move on. The rape wasn't the beginning of Hermione Winter's story and she's not going to let it be the end. She won’t be anyone’s cautionary tale. "This story of a cheerleader rising up after a traumatic event will give you Veronica Mars-level feels that will stay with you long after you finish."—Seventeen Magazine
Tell Me a Tattoo Story
“Parents with or without tattoos will be touched by [this] heartwarming tale about sharing your past with your children—it leaves a mark” (Real Simple). It’s after dinner and a little boy wants a story from his father. It’s story he’s heard many times before, one etched all over his father’s body. So, dad once again tells his little son the story behind each of his tattoos, and together they go on a beautiful journey through family history. There’s a tattoo from a favorite book his mother used to read him, one from something his father used to tell him, and one from the longest trip he ever took. And there is a little heart with numbers inside—which might be the best tattoo of them all. Tender pictures by the New York Times–bestselling illustrator Eliza Wheeler complement this lovely ode to all that's indelible—ink and love.
Last Things and Last Plays
In this first sustained examination of Cymbeline, The Winter’s Tale, Pericles, and The Tempest in the context of English Renaissance discussions of death, judgment, and afterlife, Cynthia Marshall contends that the late plays of Shakespeare represent the active concerns of a culture heavily imbued with apocalypticism. Only recently has there been wide recognition of how thoroughly apocalyptic thought pervaded the culture of England in the sixteenth and seventeenth centuries. Millenarians, Puritans, Anglicans, and Roman Catholics all shared a concern for last things. Even King James I, speaking in Star Chamber, referred to "the latter days drawing on." In fact, these four plays, considered in themselves, exhibit distinctive qualities of "lastness." They contain, Marshall argues, an alternative theatrical eschatology, representing anxieties about judgment, hopes for personal reunion, and transcendent perspectives on time.