Ennio Bispuri
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Inspiring Fellini
Author: Federico Pacchioni
language: en
Publisher: University of Toronto Press
Release Date: 2014-01-01
Introduction A Not So Solitary Genius: Traversing Authorial Politics and Methodological Anxieties An Ambiguous Adherence: Esotericism in Fellini?s Work and Collaborations 1 Tullio Pinelli Neutralizing Tragedy: A Pattern from La strada On A Metaphysical Fellowship: Transcending Christianity Nothing but Images: La voce della luna 2 Ennio Flaiano Frivolously Yours: The Public Dispute over Authorship The Self as Monster: Satire and Compassion in La dolce vita A Light in the Night: Negotiating Epiphany from I vitelloni to 8 1/2 3 Bernardino Zapponi The Script as Collage: The Unbound Notebooks of the 1970s Popular Culture and Neurosis: Toby Dammit and Beyond 4 The Poets An Organic Mind: Brunello Rondi from La dolce vita to Provad?orchestra You Are My Labyrinth: The Poetic Brotherhood with Pier Paolo Pasolini Eroticism as Dream and Nightmare: A Dialogue with Brunello Rondi Remembering Corporality: Tonino Guerra in Amarcord and E la nave va Maternal Pre-grammaticality: Pasolini, Guerra, and Zanzotto Conclusion Notes Bibliography Index
Nietzsche on Time and History
In 1885 Nietzsche insisted that from now on philosophy was only acceptable ‘as the most general form of history, as an attempt somehow to describe Heraclitean becoming and to abbreviate it into signs.’ Taking this remark as a starting point, the aim of this volume is to examine the intricate relationship between Nietzsche’s philosophy of time and his philosophy of history. The questions that arise include: What are the new conceptions of time that Nietzsche has to offer? What kind of historian was Nietzsche himself? What kinds of temporalized histories and historicized philosophies did he write or fail to write? This collection of essays, written by fourteen academics including eminent figures such as John Richardson, Raymond Geuss, Lawrence J. Hatab, and Andrea Orsucci, constitute essential reading for specialists of Nietzsche, and will also appeal to a larger audience of intellectual historians, philosophers and others who are interested in the development of modern thought.
Federico Fellini
Author: Marco Malvestio
language: en
Publisher: University of Toronto Press
Release Date: 2024-11-30
A complex and at times controversial film-maker whose career spanned the second half of the twentieth century, Federico Fellini (1920–1993) remains central to the Italian cultural imagery and the object of ongoing debates and critical scrutiny at home and abroad. Images from his films – Gelsomina’s tears, Marcello’s sunglasses – have become global signifiers not only for Fellini and Italian cinema but for Italy itself, as steadily lodged in the world’s collective unconscious as the Colosseum’s arches and Venice’s gondolas. Marking the centenary of Fellini’s birth, Federico Fellini: Centenary Essays reassesses the film-maker’s legacy with diverse contributions from established and emerging Fellini scholars as well as renowned Canadian film-makers. From literary influences to pictorial references, from artistic collaborations to politics, and from exhibition history to revivals, the collection covers the pivotal aspects of Fellini’s poetics through contemporary methodological tools and features a wide array of scholarly approaches. With complexity and nuance, the book takes stock of the enormous cultural legacy of one of the most celebrated directors in cinema history and is essential reading for scholars and cinephiles alike.