Dracula 1994
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Dracula
Originally published in French in 2004, Matei Cazacu’s Dracula remains the most authoritative scholarly biography of the Wallachian prince Vlad III the Impaler (1448, 1456-1462, 1476). Its core is an exhaustively researched reconstruction of Dracula’s life and political career, using original sources in more than nine languages. In addition Cazacu traces Dracula’s metamorphosis, at the hands of contemporary propagandists, into variously a bloodthirsty tyrant, and an early modern “great sovereign.” Beyond this Cazacu explores Dracula’s transformation into “the vampire prince” in literature, film and folklore, with surprising new discoveries on Bram Stoker’s sources for his novel. In this first English translation, the text and bibliography are updated, and readers are provided with an appendix of the key sources for Dracula’s life, in fresh and accurate English translations.
Dracula
This volume analyses the role of Bram Stoker’s Dracula and its sequels in the evolution of the Gothic. As well as the transformation of the Gothic location—from castles, cemeteries and churches to the modern urban gothic—this volume explores the evolution of the undead considering a range of media from the 19th century protagonist to sympathetic contemporary vampires of teen Gothic. Based on an interdisciplinary approach (literature, tourism, and film), the book argues that the development of the Dracula myth is the result of complex international influences and cultural interactions. Offering a multifarious perspective, this volume is a reference work that will be useful to both academic and general readers.
Vampire Legends in Contemporary American Culture
Author: William Patrick Day
language: en
Publisher: University Press of Kentucky
Release Date: 2021-02-15
While vampire stories have been part of popular culture since the beginning of the nineteenth century, it has been in recent decades that they have become a central part of American culture. Vampire Legends in Contemporary American Culture looks at how vampire stories—from Bram Stoker's Dracula to Blacula, from Bela Lugosi's films to Love at First Bite—have become part of our ongoing debate about what it means to be human. William Patrick Day looks at how writers and filmmakers as diverse as Anne Rice and Andy Warhol present the vampire as an archetype of human identity, as well as how many post-modern vampire stories reflect our fear and attraction to stories of addiction and violence. He argues that contemporary stories use the character of Dracula to explore modern values, and that stories of vampire slayers, such as the popular television series Buffy the Vampire Slayer, integrate current feminist ideas and the image of the Vietnam veteran into a new heroic version of the vampire story.