Double Feature Ahs
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A Northanger Abbey Double Feature
A woman visits a haunted castle, and two friends share tales of the supernatural in these two gothic novels featured in Jane Austen’s Northanger Abbey. In Jane Austen’s Northanger Abbey, the main character, Catherine, receives a reading list of gothic novels. Once thought to be fabricated by Austen, these novels were rediscovered in the 1920s and are now referred to as the “Northanger Horrid Novels.” Two of the Northanger Horrid Novels, The Castle of Wolfenbach and The Necromancer, are presented here as A Northanger Double Feature. With hidden identities, damsels in distress, creepy castles, and villainous Counts, The Castle of Wolfenbach (1793) is a showcase for the gothic genre. The story follows the beautiful Matilda as she escapes unwanted advances, braves the haunted castle, and attempts to find safety, and maybe even love, all while being pursued by her murderous uncle. The Castle of Wolfenbach is Eliza Parsons’s most famous novel and an important foundational work in the gothic genre. The Necromancer (1794) is by far the strangest of the Northanger Horrid Novels. The story begins with two friends, Herman and Hellfried, passing a stormy night by exchanging supernatural stories. The weirdness continues to unfold through a series of letters. The work is an example of the gothic genre’s use of framing narratives surrounding first person accounts from multiple characters. The Necromancer takes this trope to staggering heights by nesting multiple narratives inside each other. The resulting stories are a bizarre collection of violence and supernatural shenanigans centered around the mysterious Valkert, who is rumored to have returned from the dead. Both of these stories are amazing examples of early gothic works and can be enjoyed as such for fans of the genre or read as a companion to Austen’s Northanger Abbey./
American Horror Story and Cult Television
Over the course of ten seasons since 2011, the television series American Horror Story (AHS), created by Ryan Murphy and Brad Falchuk, has continued to push the boundaries of the televisual form in new and exciting ways. Emerging in a context which has seen a boom in popularity for horror series on television, AHS has distinguished itself from its ‘rivals’ such as The Walking Dead, Bates Motel or Penny Dreadful through its diverse strategies and storylines, which have seen it explore archetypal narratives of horror culture as well as engage with real historical events. Utilising a repertory company model for its casting, the show has challenged issues around contemporary politics, heteronormativity, violence on the screen and disability, to name but a few. This new collection of essays approaches the AHS anthology series from a variety of critical perspectives within the broader field of television studies and its transections with other disciplines.
Scream Hunt
THIS COMPETITION IS KILLER . . . Face your fear. Scream Hunt is here. Think you know your local urban legends? Think again. ENTER IF YOU DARE. Fans of Urban Legend, Haunt, and Hell Fest will enjoy this teen horror thriller filled with unexpected twists and reveals. When former friends, Shay and Adriana team up to participate in a Halloween scavenger hunt with a cash prize, they temporarily put their differences aside to outsmart their opponents. However, they soon start to realize that a dangerous threat is playing their own version of the game, stalking them during each hunt. Winning is now a necessity as their lives are at stake. As old wounds and memories re-surface, Shay and Adriana attempt to unmask the threat before the night is over, but soon learn that Scream Hunt is not done with them just yet . . . Ready to play?