Djuna The Extraordinary Life Of Djuna Barnes
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Djuna
A graphic biography of Djuna Barnes: writer, artist, and queer radical of the Lost Generation in the Roaring 20s. Djuna Barnes lived in a dazzling world filled with literary salons, innovative writing, and daring new art styles. But it didn't come easily. She managed to work her way out of an abusive childhood growing up in a polygamous rural utopian community on Long Island. She was determined to live an extraordinary life, and found herself socializing with the likes of James Joyce, Natalie Barney, Peggy Guggenheim, and T.S. Eliot in 1920s literary Paris. Called the most famous unknown of the century, Djuna Barnes stood out for her brilliant writing, her biting wit, and her unique style. Her novel, Nightwood is considered by some to be one of the greatest lesbian love stories ever written. But as the stock market crashed and the Lost Generation left Paris, her life began to unwind. A fascinating window into the life of a woman whose enormous literary talent and provocative attitude were both celebrated and disdained by the world.
Nightwood
Author: Djuna Barnes
language: en
Publisher: New Directions Publishing Corporation
Release Date: 1961
Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (Times Literary Supplement). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another persona woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.
The Antiphon
Djuna Barnes's great verse drama, written in part about her own family, was first published in 1958, and was last reprinted in her Selected Writings of 1962. Since that time the play has been out of print. The play certainly is a strange one; even the author observes in her cautionary note to the volume that 'a misreading of the Antiphon is not impossible'.