David Perlov
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Deeper than Oblivion
Author: Raz Yosef
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2013-06-06
In this collection, leading scholars in both film studies and Israeli studies show that beyond representing familiar historical accounts or striving to offer a more complete and accurate depiction of the past, Israeli cinema has innovatively used trauma and memory to offer insights about Israeli society and to engage with cinematic experimentation and invention. Tracing a long line of films from the 1940s up to the 2000s, the contributors use close readings of these films not only to reconstruct the past, but also to actively engage with it. Addressing both high-profile and lesser known fiction and non-fiction Israeli films, Deeper than Oblivion underlines the unique aesthetic choices many of these films make in their attempt to confront the difficulties, perhaps even impossibility, of representing trauma. By looking at recent and classic examples of Israeli films that turn to memory and trauma, this book addresses the pressing issues and disputes in the field today.
Jewish-European Émigré Lawyers
Emigrierte jüdische Juristen, Historiker, Archivare und Aktivisten und ihre individuellen Zugänge zum humanitären Völkerrecht. Emigrierte jüdisch-europäische Juristen waren im 20. Jahrhundert wichtige Träger eines rechtlichen Internationalismus und interkultureller Konzepte im Völkerrechtsdenken, die teilweise in die Nachkriegsdiskurse einflossen, vielfach aber auch vergessen oder an den Rand gedrängt wurden. Der interdisziplinäre Band konzentriert sich auf eine Reihe internationaler Juristen, Historiker, Archivare und Aktivisten und deren individuelle Zugänge zum humanitären Völkerrecht. Mit Hilfe eines biografischen Zugangs werden subjektive Erfahrungen wie akademische Sozialisation, ideologische und religiöse Überzeugungen, soziale Marginalisierung, politische bzw. rassistische Verfolgung und erzwungene Auswanderung in den Blick genommen. Zudem wird danach gefragt, inwiefern sich solche Erfahrungen in Vorstellungen von Universalismus und Partikularismus, Kosmopolitismus und Souveränität, nationaler Selbstbestimmung, Staatsbürgerschaft und Staatenlosigkeit, kollektiven Minderheitenrechten und individuellen Menschenrechten niederschlugen. English: Jewish émigré lawyers, historians, archivists and activists and their individual approaches to International Humanitarian Law. Jewish-European émigré lawyers in the twentieth century were important agents of legal internationalism and served as carriers of intercultural concepts of international legal thought; concepts, which fed into postwar discourses, but were also often forgotten or marginalized. This interdisciplinary volume focusses on a range of international lawyers, historians, archivists and activists and their individual approaches towards International Humanitarian Law. It uses a biographical lens to analyze the impact of subjective experiences like academic socialization, ideological and religious viewpoints (Weltanschauung), social marginalization, political and racial persecution, and forced emigration. Moreover, it investigates the extent to which the emigrants' experiences shaped typical notions of twentieth century politics and law, such as universalism and particularism, cosmopolitanism and sovereignty, national self-determination, citizenship and statelessness, collective minority rights, and individual human rights.
World Cinema and the Essay Film
Author: Brenda Hollweg
language: en
Publisher: Edinburgh University Press
Release Date: 2019-05-29
World Cinema and the Essay Film examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world. The book identifies the essay film as a political and ethical tool to reflect upon and potentially resist the multiple, often contradictory effects of globalization. With case studies of essayistic works by John Akomfrah, Nguyen Trinh Thi and Apichatpong Weerasethakul, amongst many others, and with a photo-essay by Trinh T. Min-ha and a discussion of Frances Calvert's work, it expands current research on the essay film beyond canonical filmmakers and frameworks, and presents transnational perspectives on what is becoming a global film practice.