David Friedell
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Between the Lines
Author: Michael Y. Bennett
language: en
Publisher: Oxford University Press
Release Date: 2024
In thinking about the conceptual empty spaces of theatre, Between the Lines: A Philosophy of Theatre investigates theatre as an art form, the properties of theatrical characters and theatrical worlds, and the difference between truth and truthfulness in the theatre. Ultimately, this book aims to offer a systematic account of theatre--thinking about theatre metaphysically, epistemologically, and ethically.
The Problems of Viewing Performance
The Problems of Viewing Performance challenges long-held assumptions by considering the ways in which knowledge is received by more than a single audience member, and breaks new ground by, counterintuitively, claiming that viewing performance is not a shared experience. Given that viewers come to each performance with differing amounts and types of knowledge, they each make different assumptions as to how the performance will unfold. Often modified by other viewers and often after the performance event, knowledge of performance is made more accurate by superimposing the experiences and justified beliefs of multiple viewers. These differences in the viewing experience make knowledge surrounding a performance intersubjective. Ultimately, this book explains the how and the why audience members have different viewing experiences. The Problems of Viewing Performance is important reading for theatre and performance students, scholars and practitioners, as it unpacks the dynamics of spectatorship and explores how audiences work.
Art and Philosophy
Though a field often thought far from the center of contemporary philosophy, philosophy of art—perhaps more than any other field similarly situated—nevertheless enjoys extensive overlap with and points of exchange at that center. The last decade has seen a marked resurgence of interest in aesthetics and philosophy of art from those working outside these areas, and a reciprocal resurgence of interest in other subfields from philosophers of art. Art and Philosophy brings together twenty-one original essays at the intersection of art and philosophy. These essays are intersectional in two respects. Firstly, the authors draw meaningful connections between art and philosophy, using artworks to motivate, support, and shape their views. Secondly, the authors draw connections between the theoretical discipline of aesthetics and philosophy of art, on the one hand, and the rest of philosophy, on the other. Some chapters explore philosophical matters by examining art and other aesthetic objects, whilst others bring together contemporary thought and research in aesthetics and philosophy of art with important developments in other areas of philosophy. The chapters are organized into ten sections. These ten sections represent the current issues best exemplifying the productive and informative exchanges that exist at these intersections. The topics range from metaphysics and philosophy of language to creativity and love. By placing the connection to art at the forefront, Art and Philosophy is a testament to the myriad ways art and the philosophy of art intersect and overlap with issues that lie at the core of contemporary philosophy.