Come And Worship Royal Priesthood Chords

Complete Mission Praise: Music Edition

The most complete collection of hymns and songs from the Mission Praise series, this new edition includes music and lyrics for 1,250 traditional and modern worship songs and hymns, including over 100 extra new songs. For 25 years Mission Praises's unique blend of old and new has met the needs of churches of all denominations and sizes, in the UK and around the world. This new, expanded edition of Complete Mission Praise includes the whole of the existing collection of over 1000 songs and hymns, and adds more than 100 of the best new songs from the past few years. This is the ultimate collection of traditional hymns and modern worship songs for all churches, an invaluable resource for all musicians and worship leaders. - 1,250 hymns and songs in all, from long-standing classics to new favourites - Includes full sheet music and guitar chords - 106 new additions - the best hymns and songs of the 21st Century - Fully compatible with the previous edition of Complete Mission Praise and Mission Praise Combined - Easy-to-use alphabetical index - All the words for Complete Mission Praise in one volume - Photocopiable under the CCLI Music Reproduction Licence

Hymns of the Church of Jesus Christ of Latter-Day Saints--simplified Accompaniments

Lost Chords and Christian Soldiers

Arthur Sullivan is best known as W. S. Gilbert's collaborator in the Savoy Operas, However, Sullivan was far from being simply a composer of light operettas. At the height of his fame and popularity in late Victorian Britain, Sullivan was regarded as the nation's leading composer of sacred oratorios on a par with Mendelssohn and Brahms. Yet despite his contemporary popularity and enduring legacy, little attention has been given to Sullivan's sacred work. The last twenty years have seen a considerable revival of interest in and critical appreciation for this aspect of Sullivan's work. Lost Chords and Christian Soldiers provides the first detailed, comprehensive, critical study and review of Sullivan's church and sacred music. As well as exploring issues of repertoire and ecclesiology involved in these and other formative influences and experiences, consideration will be given to how far Sullivan's own personal beliefs and faith influenced his settings of sacred texts and the extent to which his own spiritual and theological leaning are expressed in his choice of material and style of setting. Sullivan's motivation in setting religious texts will be probed and comparison will be made with the motivation, output and approach of his closest contemporaries in this field, most notably Stainer.