Clr James S Notes On Dialectics

C.L.R. James's Notes on Dialectics

John H. McClendon III's CLR James's Notes on Dialectics: Left Hegelianism or Marxism-Leninism? is the first-ever book devoted exclusively to James's "magnum opus," Notes on Dialectics: Hegel-Marx-Lenin. The seed for this study was planted over thirty years ago when James handed the author his personal copy of Notes. James's contribution to dialectical philosophy and his vast intellectual and scholarly output is rivalled only by the seemingly bottomless depths of McClendon's own analysis and erudition. McClendon provides a thorough-going critique of James's exploration into the dialectic of Hegel, Marx, and Lenin while challenging all the seminal texts on James's Notes'. A book of this magnitude is rare. This is ever more the truth when it is focused on a giant like James who stands at the nexus of so many disciplines: philosophy, history, sociology, Caribbean studies, cultural studies, African, and African American studies. CLR James's Notes on Dialectics: Left Hegelianism or Marxism-Leninism? is a must read for anyone concerned with how revolutionary theory is a guide to contemporary struggles.

Notes on Dialectics

Sylvia Wynter

The Jamaican writer and cultural theorist Sylvia Wynter is best known for her diverse writings that pull together insights from theories in history, literature, science, and black studies, to explore race, the legacy of colonialism, and representations of humanness. Sylvia Wynter: On Being Human as Praxis is a critical genealogy of Wynter’s work, highlighting her insights on how race, location, and time together inform what it means to be human. The contributors explore Wynter’s stunning reconceptualization of the human in relation to concepts of blackness, modernity, urban space, the Caribbean, science studies, migratory politics, and the interconnectedness of creative and theoretical resistances. The collection includes an extensive conversation between Sylvia Wynter and Katherine McKittrick that delineates Wynter’s engagement with writers such as Frantz Fanon, W. E. B. DuBois, and Aimé Césaire, among others; the interview also reveals the ever-extending range and power of Wynter’s intellectual project, and elucidates her attempts to rehistoricize humanness as praxis.