Building Art The Life And Work Of Frank Gehry

Building Art

From Pulitzer Prize–winning architectural critic Paul Goldberger: an engaging, nuanced exploration of the life and work of Frank Gehry, undoubtedly the most famous architect of our time. This first full-fledged critical biography presents and evaluates the work of a man who has almost single-handedly transformed contemporary architecture in his innovative use of materials, design, and form, and who is among the very few architects in history to be both respected by critics as a creative, cutting-edge force and embraced by the general public as a popular figure. Building Art shows the full range of Gehry’s work, from early houses constructed of plywood and chain-link fencing to lamps made in the shape of fish to the triumphant success of such late projects as the spectacular art museum of glass in Paris. It tells the story behind Gehry’s own house, which upset his neighbors and excited the world with its mix of the traditional and the extraordinary, and recounts how Gehry came to design the Guggenheim Museum in Bilbao, Spain, his remarkable structure of swirling titanium that changed a declining city into a destination spot. Building Art also explains Gehry’s sixteen-year quest to complete Walt Disney Concert Hall, the beautiful, acoustically brilliant home of the Los Angeles Philharmonic. Although Gehry’s architecture has been written about widely, the story of his life has never been told in full detail. Here we come to know his Jewish immigrant family, his working-class Toronto childhood, his hours spent playing with blocks on his grandmother’s kitchen floor, his move to Los Angeles when he was still a teenager, and how he came, unexpectedly, to end up in architecture school. Most important, Building Art presents and evaluates Gehry’s lifetime of work in conjunction with his entire life story, including his time in the army and at Harvard, his long relationship with his psychiatrist and the impact it had on his work, and his two marriages and four children. It analyzes his carefully crafted persona, in which a casual, amiable “aw, shucks” surface masks a driving and intense ambition. And it explores his relationship to Los Angeles and how its position as home to outsider artists gave him the freedom in his formative years to make the innovations that characterize his genius. Finally, it discusses his interest in using technology not just to change the way a building looks but to change the way the whole profession of architecture is practiced. At once a sweeping view of a great architect and an intimate look at creative genius, Building Art is in many ways the saga of the architectural milieu of the twenty-first century. But most of all it is the compelling story of the man who first comes to mind when we think of the lasting possibilities of buildings as art.

Building Art

Uncommon Company

Ambassador William Luers takes us on a fascinating journey from Springfield, Illinois, to Naples, Moscow, Washington DC, Venezuela, and Czechoslovakia, and then to his presidency at the Metropolitan Museum of Art, adventures in Cuba, and thereafter. In his revelatory memoir Uncommon Company, William Luers shares stories of his incredible career as a US diplomat to European and Latin American nations, where he introduced art and culture to forge common ground and community, improving the lives of citizens in many countries closed to Western ideas. From touring the Soviet Union with playwright Edward Albee in the 1960s to bringing such famous writers and artists as John Updike, Arthur Miller, William Styron, Peter Matthiessen, Francine du Plessix Gray, Richard Diebenkorn, and Frank Stella to Venezuela and Prague during his ambassadorships in Venezuela and Czechoslovakia, Bill Luers’ practice of cultural diplomacy became known as his ability to wield “soft power” that strengthened US relationships wherever he served. After more than thirty years with the State Department, Luers brought his art expertise to New York’s Metropolitan Museum of Art as its president, where he secured the Annenberg Collection of Impressionist and Post-Impressionist works by such masters as Van Gogh, Picasso, and Cézanne, among many other accomplishments. Uplifting and inspirational, William Luers’ Uncommon Company is the true story of a life well lived, celebrating the challenges and triumphs found in the virtues of being a servant leader.