Bleeding Tree
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The Bleeding Tree
It was the last of the ebbing days, the brink of the new season. It was the murky hours, the clove between sunset and sunrise. It was a tall tree with deep roots and it had been bleeding for a long while. As summer falls into autumn, Hollie Starling is hit by the heart-stopping news that her father has died by suicide. Thrust into a state of 'grief on hard mode', Hollie feels underserved by current attitudes toward grief and so seeks another way through the dark. Following her first year without her father, Hollie embraces her lifelong interest in folklore and turns to the healing power of nature, the changing seasons and the rituals of ancient communities. The Bleeding Tree is an unflinching year-zero guidebook to grief that shows us that by looking back to past traditions of bereavement we can all find our own way forward. 'Starling's account of family life is riveting and narrated with grace and honesty, counterpointing the personal with the mythic.' - Irish Times
The Magarisse
THE MAGARISSE may at first seem like any ordinary fantasy novel: in another world, the Magarisse, a brotherhood of magicians and generals, once fought to defeat the power-hungry Sharadar. Their leader is dead. His son has gone in search of help from someone who was left behind long ago... This much should sound familiar to any experienced reader of the fantasy genre. But the avid reader gets something new, unexpected as he delves further into the pages of THE MAGARISSE: the source of magical energy in the world is being quickly drained, creating a sense of desperation and instigating a search for a new magical source. This sub-plot is, of course, inspired by the current situation of natural resources on Earth. Again THE MAGARISSE strays off the beaten path of literature in regards to its villain. The growth of the villain can be tracked alongside that of the heroes, flipping the classic ´coming-of-age´ novel on its head. The level of detail in this novel makes you feel like you are in each scene, standing alongside the characters that fight their way through the end of one war... and into the beginning of another. THE MAGARISSE will engage you with adventure, humor, romance, suspense, magic, and surprises. It is the result of a three-year project by a high school student who moves the fantasy genre in a new direction by veering away from many widely accepted tropes while still maintaining a recognizable fantasy feeling.
Blood Matters
Author: Bonnie Lander Johnson
language: en
Publisher: University of Pennsylvania Press
Release Date: 2018-03-26
In late medieval and early modern Europe, definitions of blood in medical writing were slippery and changeable: blood was at once the red fluid in human veins, a humor, a substance governing crucial Galenic models of bodily change, a waste product, a cause of corruption, a source of life, a medical cure, a serum appearing under the guise of all other bodily secretions, and—after William Harvey's discovery of its circulation—the cause of one of the greatest medical controversies of the premodern period. Figurative uses of "blood" are even more difficult to pin down. The term appeared in almost every sphere of life and thought, running through political, theological, and familial discourses. Blood Matters explores blood as a distinct category of inquiry and draws together scholars who might not otherwise be in conversation. Theatrical and medical practice are found to converge in their approaches to the regulation of blood as a source of identity and truth; medieval civic life intersects with seventeenth-century science and philosophy; the concepts of class, race, gender, and sexuality find in the language of blood as many mechanisms for differentiation as for homogeneity; and fields as disparate as pedagogical theory, alchemy, phlebotomy, wet-nursing, and wine production emerge as historically and intellectually analogous. The volume's essays are organized within categories derived from medieval and early modern understanding of blood behaviors—Circulation, Wounds, Corruption, Proof, and Signs and Substances—thereby providing the terms through which interdisciplinary and cross-period conversations can take place. Contributors: Helen Barr, Katharine Craik, Lesel Dawson, Eleanor Decamp, Frances E. Dolan, Elisabeth Dutton, Margaret Healy, Dolly Jørgensen, Helen King, Bonnie Lander Johnson, Hester Lees-Jeffries, Joe Moshenska, Tara Nummedal, Patricia Parker, Ben Parsons, Heather Webb, Gabriella Zuccolin.