Batman Animated Seris Renee Montoya
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The Other History of the DC Universe (2020-) #4
Words can be tricky. Renee Montoya has known this for most of her life. Words taught her to feel ashamed of her gender, her sexuality, and her ethnicity. The people of Gotham City taught her to hide who she was to fit in to, be loved, and in doing so, they taught her to hate herself. But from that despair came something unexpected and powerful. Renee’s path from a closeted police officer in the 1990s to her time as the faceless vigilante known as the Question is one that is inextricably linked with queerness. It is one that is defiant of binaries, outmoded and hateful stereotypes, and the words that propagate them. As the Question, Renee stood in contrast to society’s rigid expectations of her, held a mirror up to the world’s face, and asked, “Who are you?” The long-awaited miniseries written by Academy Award-winning screenwriter John Ridley (12 Years a Slave, Let It Fall) and beautifully illustrated by Giuseppe Camuncoli and Andrea Cucchi continues to explore the mythology of the DC Universe, as seen through the prism of DC Super Heroes from historically disenfranchised groups.Words can be tricky. Renee Montoya has known this for most of her life. Words taught her to feel ashamed of her gender, her sexuality, and her ethnicity. The people of Gotham City taught her to hide who she was to fit in to, be loved, and in doing so, they taught her to hate herself. But from that despair came something unexpected and powerful. Renee’s path from a closeted police officer in the 1990s to her time as the faceless vigilante known as the Question is one that is inextricably linked with queerness. It is one that is defiant of binaries, outmoded and hateful stereotypes, and the words that propagate them. As the Question, Renee stood in contrast to society’s rigid expectations of her, held a mirror up to the world’s face, and asked, “Who are you?” The long-awaited miniseries written by Academy Award-winning screenwriter John Ridley (12 Years a Slave, Let It Fall) and beautifully illustrated by Giuseppe Camuncoli and Andrea Cucchi continues to explore the mythology of the DC Universe, as seen through the prism of DC Super Heroes from historically disenfranchised groups.
Final Crisis
Written by Greg Rucka Art by Philip Tan and Jonathan Glapion Cover by Philip Tan As a massive cosmic battle between good and evil rages across the DC Universe, a war of faith tests the might of The Spectre and the souls of humanity! Darkseid has waged a brainwashing war against mankind, leaving The Spectre to face off against the mad god's followers. Worshipping a religion based on crime, these disciples plan to subdue humanity and extinguish its free will. It's up to The Spectre, The Question and Batwoman to take down these minions before all hope is lost in this new hardcover collecting the entire 5-issue miniseries! Advance-solicited; on sale August 5 - 168 pg, FC, $19.99 US
Batman: the Animated Series
Author: Joe Sutliff Sanders
language: en
Publisher: Wayne State University Press
Release Date: 2021-04-06
A deep dive into the wildly successful 1990s animated series Batman. It's possible that no other version of Batman has been more influential than the one that debuted as a children's cartoon in 1992. For millions of fans around the world, the voices of Batman and the Joker introduced in Batman: The Animated Series (BTAS) remain the default. The characters, designs, and major themes of the show went on to shape other cartoons, films, and bestselling video games. In this study, Joe Sutliff Sanders argues that BTAS is not only a milestone of television but a milestone in the public persona of one of the most recognizable characters in the world. The series introduced a new generation to Batman and provided the foundation for a family of cartoons that expanded the superhero universe. It introduced or reinvented major characters including Mr. Freeze, Robin, the Joker, and Harley Quinn. In three chapters, Sanders pursues the intricate arguments that still energize BTAS. Chapter 1 explores the visuals of the show, the artistic histories and tensions that inform its revolutionary style, and what ideas—intentional and otherwise—its aesthetic implies. Chapter 2 turns to the task of defining a "good" wealthy person against a backdrop of "bad," getting to the heart of one of Batman's most problematic characteristics. Lastly, chapter 3 considers Harley Quinn, a character who emblemizes much of what made BTAS successful. From her first appearance, Harley has been both sexy and witty, victor and victim, and this chapter explains the duality that defines her. Since its debut in 1992, BTAS has garnered multiple awards, launched or developed the careers of countless important artists, and created aesthetic styles—in terms of both visuals and voice acting—that continue to resonate. Sanders's book follows an informative and exciting path through the material and is designed to be accessible to aficionados as well as relative newcomers. Batman fans, popular culture enthusiasts, and media studies scholars will find within these pages insights and ironies to provoke endless conversations.