Bandito Giuliano
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The Cinema of Francesco Rosi
Francesco Rosi is one of the great realist artists of post-war Italian, indeed post-war world cinema. In this book, author Gaetana Marrone explores the rich visual language in which the Neapolitan filmmaker expresses the cultural icons that constitute his style and images. Over the years, Rosi has offered us films that trace an intricate path between the real and the fictive, the factual and the imagined. His films show an extraordinarily consistent formal balance while representing historical events as social emblems that examine, shape, and reflect the national self. They rely on a labyrinthine narrative structure, in which the sense of an enigma replaces the unidirectional path leading ineluctably to a designated end and solution. Rosi's logical investigations are conducted by an omniscient eye and translated into a cinematic approach that embraces the details of material reality with the panoramic perspective of a dispassionate observer. This book offers intertextual analyses within such fields as history, politics, literature, and photography, along with production information gleaned from Rosi's personal archives and interviews. It examines Rosi's creative use of film as document, and as spectacle). It is also a study of the specific cinematic techniques that characterize Rosi's work and that visually, compositionally, express his vision of history and the elusive "truth" of past and present social and political realities.
My Brother, Salvatore Giuliano
Author: Marianna Giuliano
language: en
Publisher: Editrice AR.Company Palermo
Release Date: 2000
Giuliano's story begins with the allied invasion of Sicily in 1943, a time of great turmoil allegiances. One of World War II's most bizarre episodes was Operation Underworld. This was a secret alliance formed between American army intelligence officers and the Mafia kingpin, Charlie "Lucky" Luciano, so that the New York docks would be free of sabotage. In exchange, the Sicilian Mafia leaders would assist the Allied landings by providing intelligence information on Sicily. Luciano was released from prison and deported to Sicily. As agreed, American forces placed certain Mafia members who were loyal to Luciano in positions of power. Anyone who resisted the regime was either killed or imprisoned. The situation was desperate and it seemed that there was no one strong enough to stand against the evil that was engulfing the land. For some time, Giuliano had been waging his own war against the corruption by smuggling food into the area to feed his family and help the town's people of Montelebro. The police confiscated Salvatore's gram and tried to arrest him. He resisted and was shot twice in the back but killed an officer before he escaped into the hills. Now a hunted man, villagers flocked to the hills around Montelebro to join him. Salvatore Giuliano's resistance movement soon became a symbol of Sicily's desire to escape from the dominance of Italy and establish self-government. Political parties seeking autonomy for the island eagerly supported his cause, while politicians who opposed him devised a plot they felt would finally eliminate him.
Law, Culture and Visual Studies
Author: Anne Wagner
language: en
Publisher: Springer Science & Business Media
Release Date: 2013-07-11
The proposed volumes are aimed at a multidisciplinary audience and seek to fill the gap between law, semiotics and visuality providing a comprehensive theoretical and analytical overview of legal visual semiotics. They seek to promote an interdisciplinary debate from law, semiotics and visuality bringing together the cumulative research traditions of these related areas as a prelude to identifying fertile avenues for research going forward. Advance Praise for Law, Culture and Visual Studies This diverse and exhilarating collection of essays explores the many facets both historical and contemporary of visual culture in the law. It opens a window onto the substantive, jurisdictional, disciplinary and methodological diversity of current research. It is a cornucopia of materials that will enliven legal studies for those new to the field as well as for established scholars. It is a ‘must read’ that will leave you wondering about the validity of the long held obsession that reduces the law and legal studies to little more than a preoccupation with the word. Leslie J Moran Professor of Law, Birkbeck College, University of London Law, Culture & Visual Studies is a treasure trove of insights on the entwined roles of legality and visuality. From multiple interdisciplinary perspectives by scholars from around the world, these pieces reflect the fullness and complexities of our visual encounters with law and culture. From pictures to places to postage stamps, from forensics to film to folklore, this anthology is an exciting journey through the fertile field of law and visual culture as well as a testament that the field has come of age. Naomi Mezey, Professor of Law, Georgetown University Law Center, Washington, D.C., USA This highly interdisciplinary reference work brings together diverse fields including cultural studies, communication theory, rhetoric, law and film studies, legal and social history, visual and legal theory, in order to document the various historical, cultural, representational and theoretical links that bind together law and the visual. This book offers a breath-taking range of resources from both well-established and newer scholars who together cover the field of law’s representation in, interrogation of, and dialogue with forms of visual rhetoric, practice, and discourse. Taken together this scholarship presents state of the art research into an important and developing dimension of contemporary legal and cultural inquiry. Above all, Law Culture and Visual Studies lays the groundwork for rethinking the nature of law in our densely visual culture: How are legal meanings produced, encoded, distributed, and decoded? What critical and hermeneutic skills, new or old, familiar or unfamiliar, will be needed? Topical, diverse, and enlivening, Law Culture and Visual Studies is a vital research tool and an urgent invitation to further critical thinking in the areas so well laid out in this collection. Desmond Manderson, Future Fellow, ANU College of Law / Research School of Humanities & the Arts, Australian National University, Australia