Ajab Duniya Persian Song
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THE INDIAN LISTENER
Author: All India Radio,Bombay
language: en
Publisher: All India Radio,Bombay
Release Date: 1937-08-07
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artistS. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-08-1937 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 52 VOLUME NUMBER: Vol. II, No.16. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 712-743 ARTICLE: The "Hello Girl" At Your Service AUTHOR: Miss E. C. Pearce KEYWORDS: Telephone Operator, Subscriber Document ID: INL -1936-37 (D-D) Vol -I (16)
THE INDIAN LISTENER
Author: All India Radio (AIR),New Delhi
language: en
Publisher: All India Radio (AIR),New Delhi
Release Date: 1938-07-07
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artistS. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-07-1938 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 92 VOLUME NUMBER: Vol. III, No. 14. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 945-1020 ARTICLE: 1. Modern Tendencies In Indian Music 2. Sound Advice 3. The Village Club 4. Trouble Shooting And Maintenance AUTHOR: 1. John Foulds 2. Airvoice 3. Unknown 4. Trouble Shooter KEYWORDS: 1. Indian Musical Literature, Music Student, Ibn-I-Hasan Kaiser, Indian Orchestra 2. Apollo Reclamation, Morse Signals, Harmonic Frequencies, Ghost Stations, Short-Wave Bands 3. Rural Programmes, Indian Villager, Rural Radio, Village Club, Nau Tanki, Gulabo-Sitabo, Indar Sabha 4. Series Filament Circuits, Paraller Filaments, Easily Corrected Faults, Radio Engineer, Series Filament, Wavelengths Document ID: INL -1936-37 (D-D) Vol -I (14)
Yesterday’s Melodies Today’s Memories
Yesterday’s Melodies Todays Memories is a rare collection of profiles of all important music-makers of the Hindi Film Industry between 1931 and 1970. It not only gives a biographical background of each music artiste, but it goes further to interview many of the surviving giants and completes the task by listing some of the best songs with which that person is associated. Here are singers that include the whole gamut from KL Saigal to Asha Bhosle, lyricists that include Sahir and Gulzar, music composers from Naushad to RD Burman, artistes that were part-time singers and full time actors like Ashok Kumar, melody queens like Noor Jahan and Lata Mangeshkar, gentlemen lyricists like Prem Dhawan and gentlemen singers like Manna Dey, mischief-makers like Kishore Kumar and rebels without pause like OP Nayyar and Majrooh Sultanpuri. In fact, this book is a house in which all these great talents live happily, each in a separate room, given space for self-expression. The serious research that has gone into this book is evident as you move from one chapter to another, opening layers after layers presented non-seriously. Over 100 music makers are presented this way and many more in a huge single chapter.