A Touch Of The Madness How To Be More Innovative In Work And Life By Being A Little Crazy
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A Touch of the Madness
Legendary movie producer Larry Kasanoff knows firsthand that massive success requires taking big risks—it paid off for him with blockbusters Terminator 2: Judgment Day and Dirty Dancing, and other feature films. Now, he’s sharing behind-the-scenes stories and hard-won wisdom to help creatives thrive in any industry. Larry will be the first to tell you that excelling in any creative field requires taking big risks. It means embracing your crazy side: the most unique, boldest, and bravest part of you, and your greatest asset when it comes to creating something truly original. In A Touch of the Madness, Larry uses firsthand memories from working on some of Hollywood’s biggest blockbusters, including Terminator 2: Judgment Day, Platoon, True Lies, Dirty Dancing, and the Mortal Kombat film series, to show you the three principles that form the foundation of a thriving career in any industry: Create a great idea that will excite your audience Ask as many times (and as many people) as it takes to get a “yes” Play while you work—don’t forget to have fun Companies and organizations tend to be comfortable with the tried and true. But customers are attracted to what’s new, different, and better. To be innovative, you have to be a little crazy. A Touch of the Madness will help you embrace your wildest creative impulses and live your dreams—without anyone holding you back.
Los Angeles Magazine
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
The Making of the Professional Actor
Adrian Cairns, an actor and director himself, has taught several generations of actors at the Bristol Old Vic Theatre School. Jeremy Irons and Daniel Day-Lewis were two of his students. He provides a stimulating analysis of acting styles and training used on the Elizabethan stage, Restoration and 18th-century developments, Victorian acting "in the grand manner", and 20th-century initiatives in Russia, Europe, England, and the U.S. (the French avant-garde, the German twenties, the "turbulent thirties"), the European gurus, and American actors. Cairns concludes with chapters on modern drama and the use of Controlled Environments, Virtual Reality, and Found Spaces. He predicts that ritual and a Renaissance of the Mysterious might be the most likely direction in the evolution of playacting.