Romanian Newspaper Founders: Alexandru Macedonski, N. D. Cocea, Zamfir Arbore, Ion Heliade R Dulescu, Alexandru Bogdan-Pite Ti, Eugen Filotti

Romanian Newspaper Founders: Alexandru Macedonski, N. D. Cocea, Zamfir Arbore, Ion Heliade R Dulescu, Alexandru Bogdan-Pite Ti, Eugen Filotti

ISBN: 115572058X

ISBN 13: 9781155720586

Publication Date: August 31, 2011

Publisher: Books LLC, Wiki Series

Format: Paperback

Author: Source Wikipedia

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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 89. Chapters: Alexandru Macedonski, N. D. Cocea, Zamfir Arbore, Ion Heliade R dulescu, Alexandru Bogdan-Pite ti, Eugen Filotti, Constantin Stere, Pantazi Ghica, Constantin Mille, Alexis Nour, I. C. Frimu, Corneliu Vadim Tudor, Eugen Barbu, Elias Schwarzfeld, Iosif Constantin Dr gan, Adrian P unescu, Scarlat Callimachi, Mehmet Niyazi, Nichifor Crainic, Cristian Tudor Popescu, Mircea Dinescu, Grigore Gafencu, Ion Ra iu, Dinicu Golescu, Alexandru Candiano-Popescu, Ion Popescu, Cezar Petrescu, Ion Cristoiu, Marius Tuc, Cornel Nistorescu, tefan Neagoe, Alexandru Al. Ioan Cuza. Excerpt: Alexandru Macedonski (Romanian pronunciation: also rendered as Al. A. Macedonski, Macedonschi or Macedonsky; March 14, 1854 - November 24, 1920) was a Wallachian-born Romanian poet, novelist, dramatist and literary critic, known especially for having promoted French Symbolism in his native country, and for leading the Romanian Symbolist movement during its early decades. A forerunner of local modernist literature, he is the first local author to have used free verse, and claimed by some to have been the first in modern European literature. Within the framework of Romanian literature, Macedonski is seen by critics as second only to national poet Mihai Eminescu; as leader of a cosmopolitan and aestheticist trend formed around his Literatorul journal, he was diametrically opposed to the inward-looking traditionalism of Eminescu and his school. Debuting as a Neoromantic in the Wallachian tradition, Macedonski went through the Realist-Naturalist stage deemed "social poetry," while progressively adapting his style to Symbolism and Parnassianism, and repeatedly but unsuccessfully attempting to impose himself in the Francophone world. Despite having theorized "instrumentalism," which reacted against the traditional guidelines of poetry, he maintained a life...